Quotes About Creation

Wealthy are the ones that create value, value that grows with hard work and dedication towards a specific task.

So it's really for us about new products, because we have released a lot of new products.

I work on the team formulating products that haven't been released.

Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you.

I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.

You know, I've released some great records and I've released some dogs. But frankly, the fun is in creating the thing.

I want to be in control of how my music is released and how I create it. What people don't talk about when they talk about major labels is how many artists get dropped or funding gets dropped when they don't recoup quick enough.

There's a rumour that we actually make all our albums in the last six months before they're released and the rest of it is procrastination.

When you're making a film, you don't really have time to consider what the whole of your film is. And then, when you're releasing your film and promoting your film, you're looking at it in a different way. Then, as you move away from it, you start to look at it objectively and think, 'What could I have done better?'

When I did 'Ephorize,' I didn't know that later on I'd be releasing another album. It just came.

I only think in the following terms: writing, recording, releasing. That's what I have control of. What I don't have control is whether critics or the public like what I do.

A personal brand is relevant to people who sell or create something relevant to who they are as a person. If you're not in that boat, which most people are not, personal branding makes no sense.

My intention is to make sure that the new work being created for the ballet world is relevant.

I produce so little that the works have to be editioned. Otherwise, I don't survive. Also, editioning is relevant for communication. If you make three new works, it means that nine objects are available. Three people talking about your work is fine, but nine makes a difference.

The independence of content creation without fearing what's going to be censored has relieved a lot of filmmakers in India.

All art began as sacred art, you know? I mean, all painting began as religious painting. All writing began as religious writing.

I'm not a religious person. But, when I look at a beautiful cathedral, what brings awe, what induces awe is the idea that architecture, you know, a beautiful cathedral, a beautiful building.

I became, and remain, my characters' close and intent watcher: their director, never. Their creator I cannot feel that I was, or am.

I write and film history; I don't make it. One can be a good critic and a moral observer, but one remains professionally detached as a writer and a filmmaker.

Obsession remains the price of creation, and the writer who declines that risk will come up with nothing more creative than 'The Foxes of Harrow' or 'Mrs. Parkington.'

'Bodies' remains the drama I'm most proud of.

Almost all of my stories can be understood to be elaborations on our drive to remake the world and our adjustments to the result.

It's amazing to think that every item of clothing we wear began as an idea in somebodies head. Whether it's a designer dress or a cheap remake, someone somewhere had an idea and brought it to life.

The colors live a remarkable life of their own after they have been applied to the canvas.