Quotes About Villain

The villain kids all had questions when they'd first arrived too: Was it okay to eat as much food as you could from the refectory? (Jay) Could you take as many classes as you could fit into your schedule—or even take two classes at the same time, if you worked really fast? (Carlos, of course.) Evie had wanted to know if they had to wear uniforms (they didn't), while Mal's only question was where she could acquire purple spray paint (the art studio).

I don't feel like a hero, said Carlos. That's okay, said Mal with a rueful smile. Remember what the professor said? We're the villains you root for in the story.

Every actor will tell you it's so much more fun to play the bad guy because usually those characters are more complex and more broad and more interesting, and have more sides to them.

I have played bad-guy roles, but they were significant to the story.

If you look closely, you'll see that Marvel basically has three Thanoses. There is the 1970s Thanos appearing in the movies. This is before he got the Infinity Gauntlet. Then there are the Thanos stories I'm telling. And finally, there is the Thanos that appears in the mainstream Marvel stories.

Eric Young is an excellent heel. I think Eric Young is a really, really good heel because he does things intentionally so that you don't want to cheer him, you don't want to get behind him, and you don't want to support him.

Of the nine million Harlequin Romance and Silhouette Ecstasy books for women today, sold and read by the ton, no hero appears whose primary quality isn't arrogance. If any man appears at first helpful, cheerful, and polite, he's the villain. The man who at first appears hopelessly mean and insensitive, he's the hero. It's cornography. Margaret Mitchell's inspiration for Rhett Butler was Valentino in that tango. It's a twentieth-century malaise.

A good man in an evil society seems the greatest villain of all.

Dill was a villain's villain: he could get into any character part assigned him, and appear tall if height was part of the devilry required.

What the world needs is a set villain that people can point at and say, "It's all your fault!

'The Dark Knight,' for me, has the same problem that every other 'Batman' movie has. It's not about Batman. I think Heath Ledger is just phenomenal and the character of the Joker is beautifully written. He has a particular philosophy that he carries throughout the movie. He has one of the best bad guy schemes.

There's, you know, there's an ideology behind Ultron that makes him more unique that just a bad guy. He doesn't wanna just kill the Avengers. He doesn't wanna just destroy the world. He has these monologues and these beautiful speeches that kind of embody a certain mentality about what's wrong with humanity.

I play a character in the WWE and everybody hates my character. I'm the evil villain bad guy. Whenever people meet me, they're like, 'Wow, you're such a nice guy. We never expected that.'

I'm the bad guy in WWE, which I find hilarious.

I'd love to play a Bond villain. Yeah, I'd love to play a Bond villain. Everyone always says this to me; they always say, 'You've got to be a Bond villain', 'We're going to make you a Bond villain...' But they've never, ever approached me, I've never had a whiff of it. I think I'd love to play a Bond villain; I'd have great fun.

Really, it's brilliant what they have done within the bounds of the regulation. They are much less of a villain than I thought. The system has let down the investor.

It's cool to play a sinister bad guy who also has a human side.

People are fascinated by evil because it's mysterious and it doesn't seem to have a rationale behind it, and the second you say that Hannibal Lector was abducted as a child and he had to eat his sister or something like that, it becomes immediately mundane. The character becomes mundane.

Too often, we get attention and sympathy by being a victim. If we're invested in someone being our villain, we must love being the victim. We have to let go of both characters in the story.

You've got to love the villain if you have to play him. You've got to find something that you can live with in yourself if you're going to play the villain in a play on stage.

I love playing bad guys; they're always much more fun than the good guy.

I'd love to play Neil Kinnock. Because of my ginger hair, I thought that was a possibility. He's a hero and a villain in most people's eyes, but I'd like to do that, I think I'd be right for it.

I would love to play the villain, but again, it sort of what happens in this industry.

I'd love to be some sort of villain in a big-budget action movie. Or a superhero franchise. That'd be rad.