Quotes About Comic

I go to comic shops because I like to just listen to nerds arguing about nerd stuff to relax.

I'm hoping that fans will enjoy finally having a 'SpongeBob' comic book from me. All the stories will be original and always true to the humor, characters, and universe of the 'SpongeBob SquarePants' series.

I've never really been a genre fan. I never grew up reading comic books or was a horror buff.

I like things that are sort of comic and humorous rather than satirical.

But of course if you believed in God—and the Devil—the thing wasn't quite so comic. Because the Devil—and God too—had always used comic people, futile people, little suburban natures and the maimed and warped to serve his purposes. When God used them you talked emptily of Nobility and when the devil used them of Wickedness, but the material was only dull shabby human mediocrity in either case.

I see 'Cyborg' as probably the most iconic African American superhero within all of the comic worlds.

I met Harrison Ford at Barney's Beanery. And I met Steve Martin at the bar at the Troubador. He said he wanted to be a stand-up comic. I thought that was the worst idea because he was so square, so Orange County.

Bill Watterson argued with his medium even as he eclipsed it. He was all too aware that no artistic expression better exemplifies our disposable consumer culture than the daily newspaper comic strip: today's masterpiece is tomorrow's birdcage lining.

For characters where, in a comic, I'd avoid using screen tone because it's such a bother, I'd deliberately use it in animation in order to highlight their individual characteristics.

I hope that 'Gambit' doesn't take ten years, but it takes a little honing to get that tone and that voice exactly right. The character has such a specific voice in the comic, in the same way that Deadpool has a specific voice in the comic, that we want to make sure that we capture that voice on the page.

I didn't like people rewriting my dialogue. I didn't like the fact that we'd start a comic with the Joker, and by the time we inked it, he would have turned into the Scarecrow.

Sunday school stories are just another type of superhero comic. Counting on Jesus to save the day is no more real than sending up the Batman signal.

I was seeking comic originality, and fame fell on me as a by-product. The course was more plodding than heroic: I did not strive valiantly against doubters but took incremental steps studded with a few intuitive leaps.

I'd like to do more comedy, but i think my forte is still in the heavy. I'd love to do a comic lead, a musical.

I tell my son, when your music becomes less relevant, your pathetic comic value might be of some use. So you've got to go with it, you know.

Trevor Noah is a great, relevant young comic, and Comedy Central is smart to stand by him.

I'm an actor, and I don't look at myself as providing comic relief. I have done diverse and dark roles such as a psycho, murderer, and others in films such as 'Don', 'Eklavya' and '3 Idiots.'

Live television invites a lot of comic relief, and I've definitely had my share. I got tongue-twisted on the word 'prevalent' once; had a homeless man accost me during a segment; and got my mic snagged off when a congressional staffer barged into my frame.

There are too many good comic book writers out there. I'd rather remain a fanboy.

We had a comic book in Denmark called 'Valhalla,' and I read it every time I had the chance. So I remembered the authentic stories from that comic book - Thor and Odin and Freya, I know all those stories.

I know of the Daredevil comic because it's so iconic.

When I started the 'Hellboy' series way back when, I wasn't really thinking consciously about the humor, but Hellboy does have my personality, and that's an important part of my personality.

At the root of the comic there is a sort of rigidity which compels its victims to keep strictly to one path, to follow it straight along, to shut their ears and refuse to listen.

Comic absurdity is of the same nature as that of dreams.