Quotes About Character

I have a heart of gold. My only faults are that I'm totally selfish and immoral.

Aristotle observed that people become virtuous by acting virtuous: if you do good, you'll be good.

Aristotle observed that people become virtuous by acting virtuous: if you do good, you'll be good.3

Few sons are like their fathers--most are worse, few better.

Do thou restrain the haughty spirit in thy breast, for better far is gentle courtesy.

Mirst?giem ?aud?m virs zemes maz dienu ir dz?v?bai lemtu. Ja k?dam ir cietsird?gs raksturs un cietsird?gs ir bijis pret citiem, Visi tam nov?l tik ?aunu, kam?r tas dz?vo virs zemes, Bet, ja kam krietna ir sirds, ja ar? t? domas ir krietnas, Teicamo slavu pa pasauli plašo starp mirst?giem ?aud?m Svešinieki aiznes un visi to d?v? par cildenu v?ru.

Human beings live for only a short time, and when a man is harsh himself, and his mind knows harsh thoughts, all men pray that sufferings will befall him hereafter while he lives; and when he is dead all men make fun of him. But when a man is blameless himself, and his thoughts are blameless, the friends he has entertained carry his fame widely to all mankind, and many are they who call him excellent.

Human beings live for only a short time, and when a man is harsh himself, and his mind knows harsh thoughts, 330 all men pray that sufferings will befall him hereafter while he lives; and when he is dead all men make fun of him. But when a man is blameless himself, and his thoughts are blameless, the friends he has entertained carry his fame widely to all mankind, and many are they who call him excellent.

It occurred to me some years ago, that the picture of Richard the Third, as drawn by historians, was a character formed by prejudice and invention. I did not take Shakespeare's tragedy for a genuine representation, but I did take the story of that reign for a tragedy of imagination.

was a man who wrote his own press kit, and his generosity was a calculated piece of an intracately constructed character

In times of adversity and change, we really discover who we are and what we're made of.

It is precisely the nature of modern mass murder that it is not visibly direct like individual murder, but takes on a corporate character, where every participant has limited liability.

How low do you have to stoop in this country to be President?

McGovern made some stupid mistakes, but in context they seem almost frivolous compared to the things Richard Nixon does every day of his life, on purpose, as a matter of policy and a perfect expression of everything he stands for. Jesus! Where will it end? How low do you have to stoop in this country to be President?

Jesus! Where will it end? How low do you have to stoop in this country to be President?

Life should be made as difficult as possible... So that the victims might develop more character

He (William Cort) had some desire to be successful, but it did not burn so strongly in him that he was prepared to overcome his character to achieve it.

Rouvier was the Finance Minister; I knew him by sight, although I had not yet met him. He was not widely liked. Apart from the whiff of indecency that Lucien referred to, he was also rumoured to be less than straightforward in his dealings with his fellow men. To put it another way, he was devious even by the standards of politicians; a long and successful career awaited him.

I did not like Ravenscliff by instinct, but I was beginning to find him fascinating. A book-reading, socialist-sympathising, child-begetting capitalist fraud.

Like all harsh, cold men, he was easily tipped over into sentiment.

There might be cheats or possible cheats amongst them, men who beat their wives, men with perverse instincts, greedy men, cowardly men, lying men; but the elegance of the room invested each one with a kind of aristocracy.

He wore a heavy black moustache and the backs of his hands on the rail were matted with black hair. Bond guessed that hair covered most of his squat body. Naked, Bond supposed, he would be an obscene object.

Bond mistrusted anyone who tied his tie with a Windsor knot. It showed too much vanity. It was often the mark of a cad. Bond

no face could have more mercilessly betrayed the character of the man than his. The sharply retreating forehead and the lower jaw, developed at the expense of the skull, were expressive of iron will and feeble intelligence, rather of cruelty than of sensuality; but the chief point in the face was the eyes, which were entirely without warmth