Quotes About Character

I work very hard at creating complex characters, a mix of positives and negatives. They are all flawed. I believe flaws are almost universal, and they help us understand, sympathise and, paradoxically, feel closer to such characters.

Oswald is an interesting character. Disney lost the rights to him in 1928 to Universal, who was distributing the cartoons and basically handed him over to Walter Lantz.

It is the creator of fiction's point of view; it is the character who interests him. Sometimes he wants to convince the reader that the story he is telling is as interesting as universal history.

Authenticity is extremely important and throughout the pageant Miss Universe looks for that.

You can't think about how people will perceive you or your character. All you can do is focus on your work. The rest is up to the universe. I've been acting for 16 years. I've done 55 movies and, in all seriousness, there's maybe five that are good and the rest are crap.

A good character, like a Gibraltar, will stand against the testimony of all the rascals in the universe, no matter how they assail it. It will stand, and it will stand firmer and grander the more it is assaulted.

Science cannot tell theology how to construct a doctrine of creation, but you can't construct a doctrine of creation without taking account of the age of the universe and the evolutionary character of cosmic history.

Integrity is the first step to true greatness. Men love to praise, but are slow to practice it. To maintain it in high places costs self-denial; in all places it is liable to opposition, but its end is glorious, and the universe will yet do it homage.

We like the challenge of a story around the most generic, forgettable man in the universe.

I have to admit to being a music snob. I think, in a parallel universe, I pretty easily could have been Jack Black's character from 'High Fidelity,' working in a record store and snidely commenting on everyone's purchases.

There is a very diverse range of superheroes, especially with the Firestorm character. In the comics, there is a black Firestorm. But we still don't see that many black superheroes. So what The CW is doing and what DC Comics is doing with this whole universe with diversity is absolutely amazing.

I love telling stories. Creating a character, a world, a whole universe out of nothing. That part I can't get enough of.

It was only after university that I said to myself that I had to take the risk and have a serious go at acting. It's such a bizarre profession, because you have to be totally tough to deal with all those times when you're being turned down, and then really soft in order to access your character's emotions.

I talk to student-athletes. I try to get them to remember that they're not just athletes, but student-athletes. You need to get an education, keep your hands clean and try to represent the university.

The delicate thing about the university is that it has a mixed character, that it is suspended between its position in the eternal world, with all its corruption and evils and cruelties, and the splendid world of our imagination.

I played Big Mama in 'Cat on a Hot Tin Roof' when I was 20 years old at the University of Michigan.

Sloth, not ill-will, makes me unjust.

Basically, Aristotle believed that every time you behaved unkind and immorally - performing actions your soul was not proud of - you tarnished your soul. The worst shape your soul became in, the worst shape your mood and spirit.

There was one thing my daddy wouldn't tolerate in any shape, form or fashion, and that was being unkind or rude to somebody. That was just very important to my folks. And as it turns out, that was a legacy that he left me that money can't buy, is how to be able to treat people.

I can be unkind to someone in the street or in the subway - I'm a bad-tempered person - but I'm unable to be unkind to a character. They exist because of me, and I have responsibility for them.

The happiest ones are those who have a character which would prefer their services to be unknown to all generations.

Closer to home, the one person who I really admire and take inspiration from is a relatively unknown man in today's day and age. He was the second Prime Minister of India - Lal Bahadur Shastri, a man of impeccable integrity, amongst other traits.

I had to unlearn everything, as Maya's character is the essence of 'Allama.' She reflects feminism, an in-depth and powerful role where she feels that she can never lose.

Our job is to unleash the play. It's not just about your character or interaction with the other characters. There's an energy in all good plays which you have to find. And that is part and parcel of ensuring that an audience gets what it's about.