Quotes About Character

I don't mind the audience identifying me with Red.

I want to do a gritty, independent film, maybe in Scotland or something. I'll have an outrageous accent, and flowing red hair.

The only problem with the way they do my character is that they have her get redeemed too early.

Some have said that the power of a Redeemer would depend upon two things: first, upon the richness of the self that was given; and second, upon the depths of the giving. Friend and foe alike are agreed on the question of the character of Jesus Christ.

I don't know if there is redemption for people like Charlie Rose or Garrison Keillor. An apology helps, but what really matter are deeds.

Redemption happens in many forms. It happens when one takes responsibility even when one need not.

The redemption plot is one of the oldest story shapes.

I think I should have been born a redhead. It goes with my personality - I'm fiery, and it's kind of quirky, like me.

The whole film is about people being convinced that they can reduce themselves to their archetypes.

American writers reduce the length of time devoted to exposition and character development.

You're only reduced to a cliche if you don't humanize a character.

I love Russell Crowe's line to Oliver Reed in 'Gladiator' where he asks him, 'Are you in danger of becoming a good man?' It's one of my favorite lines ever.

Reed Richards in 'Fantastic Four,' to me, was a huge character departure from, like, 'That Awkward Moment' or anything that I'd just done before that.

James Reed is inspired, if he is inspired by anyone specific, by P.T. Barnum. He's set up to be the ultimate American showman. His whole job is to sell you shadows. But he's not a nice person, he's not a good guy.

I am sure that I don't want to take up stupid roles. And by stupid, I refer to those which doesn't have any sense. A role should have some life in it, right?

I never like to refer back to anything I've done when I'm working on a character, even if that character has the same occupation.

I'm a drag artist, and we put so much effort into creating characters, so the easiest way to show us respect is to call us by the name we gave ourselves and refer to the gender we have chosen to be on stage.

The Argentinians provoke and are always whingeing to the referee to try and change his opinion. It starts before the match. You see their body language, how they gesticulate, how they try to influence the referee. That is not part of the game. That is a lack of respect. It's their mentality and character, and we'll have to adjust.

It's true: sometimes Balotelli could behave better, but it also happens to me. I have a similar character, Balotelli is also a very strong player, but if you protest against the referee for every decision, it's logical you are going to irritate the fans.

I really don't know what happened in reference to 'The Butler.' Mr. Daniels and I had a conversation. I had the script, the email that goes along with it in reference to the character, read the script, loved it. Then I never heard from Mr. Daniels again, and the next I saw was that Oprah Winfrey is now playing the part.

I especially object to having my character assassinated by reference to events from my past which bear absolutely no relationship to the question of who the anthrax killer is.

Blurryface is a fictional character and a reference to insecurities, which I think all people have.

My character in 'Fanaah' has a cool and crazy look at the same time. I'm very particular about my accessories and clothes and love discussing and working on the look with the team. We all work on it together and gather loads of references.

Too many talk about a company's leadership, referring to the senior most executives in the organization. They are just that: senior executives. Leadership doesn't automatically happen when you reach a certain pay grade. Hopefully you find it there, but there are no guarantees.