Quotes About Character

Now that I know I'm an Upholder, an Abstainer, a Marathoner, a Finisher, and a Lark, and have spent a lot of time thinking about what is, and isn't, important to me, I'm much better able to shape my habits.

Research shows that the more elements make up your identity, the less threatening it is when any one element is threatened.

When you are some-'one', why would you wish to be some-'thing'?

Lively once, expansive and affectionate, in growing older she had become (after the fashion of wine that, exposed to air, turns to vinegar) ill-tempered, grumbling, irritable. She

No se piensa en nada; las horas pasan. Uno se pasea inmovil por paises que cree ver, y su pensamiento, enlazandose a la ficcion, se recrea en los detalles o sigue el hilo de las aventuras. Se identifica con los personajes; parece que somos nosotros mismos los que participamos bajo sus pieles.

Il avait sa casquette enfoncée sur ses sourcils, et ses deux grosses lèvres tremblotaient, ce qui ajoutait à son visage quelque chose de stupide ; son dos même, son dos tranquille était irritant à voir, et elle y trouvait étalée sur la redingote toute la platitude du personnage.

She was a sweet girl but not really pretty, a rough sketch of a woman with a little of everything in her, one of those silhouettes which artists draw in three strokes on the tablecloth in a café after dinner, between a glass of brandy and a cigarette. Nature sometimes turns out creatures like that.

Mais, comme il éprouvait une peine infinie à découvrir des idées, il prit la spécialité des déclamations sur la décadence des moeurs sur l'abaissement des caractères, l'affaissement du patriotisme et l'anémie de l'honneur français. (Il avait trouvé le mot anémie dont il était fier.)

Monsieur Lerebour was short, round and jovial, with the joviality of a shopkeeper who liked to do himself well. His wife, who was thin, self-willed and perpetually discontented, had still not succeeded in overcoming her husband's good humour.

the spectacle is an affirmation of appearances and an identification of all human social life with appearances. But a critique that grasps the spectacle's essential character reveals it to be a visible negation of life — a negation that has taken on a visible form.

We must be what we are, or we become our enemies.

Loser-CEO: @GuyKawasaki, Art Of The Start kitab?n? ekibim için fotokopiyle çoÄŸaltt?m. Sence cimri miyim yoksa ÅŸerefsiz mi? @GuyKawasaki: .@Loser-CEO cimri bir ÅŸerefsizsin.

and you may know how little God thinks of money by observing on what bad and contemptible characters he often bestows it. Thomas Guthrie

Accept that people aren't good or bad. Good people can do bad things, and bad people can do good things.

Character in decay is the theme of the great bulk of superior fiction.

Your destiny is also your character. Adversity will test you — and reveal you.

Perhaps the most revolting character that the United States ever produced was the Christian Businessman.

One cannot enter a State legislature or a prison for felons without becoming, in some measure, a dubious character.

At the present time he was a man of perhaps forty-five years of age, short and heavy-set, with a bullet-shaped head that rested on broad, ape-like shoulders. His thick torso and bulging paunch were supported by a pair of spindly legs that contrasted oddly with the upper portions of his beefy body.

Such was the code: Strive for victory, but never seem to be self-involved.

He made his character his platform.

He belonged to the men who have cared for great things, not to bring themselves honor, but because doing great things could alone satisfy their natures.

He was, after all, just a man. And not merely a narrative.

Whatever touches or enters into a sustained relationship with human life immediately assumes the character of a condition of human existence. This is why men, no matter what they do, are always conditioned beings. Whatever enters the human world of its own accord or is drawn into it by human effort becomes part of the human condition.