Quotes About Character

She's got manners, but what has she got in the way of morals?" "Oh," said Luker blithely, "she and I don't have any morals. We have to get along with a scruple or two." "I

You are not. You believe that sword to be part of your identity but it is not. It is your nemesis. It is the part of you which represents your weakness, not your strength.

In a golf club everyone knows the player who does not replace his divot. One can guess how he leads the rest of his life.

There is a story, always ahead of you. Barely existing. Only gradually do you attach yourself to it and feed it. You discover the carapace that will contain and test your character. You will find in this way the path of your life.

She moved from being a young woman into having the angular look of a queen, someone who has made her face with her desire to be a certain kind of person. He still likes that about her. Her smartness, the fact that she did not inherit that look or that beauty, but it was something searched for and that it will always reflect a present stage of her character.

when someone speaks he looks at a mouth, not eyes and their colors, which, it seems to him, will always alter depending on the light of a room, the minute of the day. Mouths reveal insecurity or smugness or any other point on the spectrum of character. For him they are the most intricate aspect of faces. He's never sure what an eye reveals. but he can read how mouths darken into callousness, suggest tenderness. One can often misjudge an eye from its reaction to a simple beam of sunlight.

But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character --- the way a person took on and recognized in himself the smile of a lover. Individuals are seen only in the context of these swirling social tides.

Il y a toujours une histoire, une histoire qui attend. Qui existe à peine. À laquelle on ne s'attache que peu à peu et qu'on nourrit. On découvre la carapace qui contiendra notre personnage et le mettra à l'épreuve. On trouve alors le chemin que sera sa vie. (p.179)

Bridge depends on character. Your character and the character of your opponents. You must consider the character of your enemy. This is true of bomb disposal. It is two-handed bridge. You have one enemy. You have no partner. Sometimes for my exam I make them play bridge. People think a bomb is a mechanical object, a mechanical enemy. But you have to consider that somebody made it.

Character, that subtle art, disappeared among them during those days and nights, existed only in a book or on a painted wall.

You're an archaeologist. Truth comes finally into the light. It's in the bones and sediment. It's in character and nuance and mood. That is what governs us in our lives, that's not the truth. For the living it is the truth.

Kimse zenginler kadar kötü olamaz.

Let me tell you about people my age. The worst thing is others assume you have developed your character by now. The trouble with middle age is they think you are fully formed.

You would stand in the room so still sometimes, as if the greatest betrayal of yourself would be to reveal one more inch of your character.

You can't regulate integrity

If the environmental crisis is ultimately a crisis of character, as Wendell Berry told us way back in the 1970's, then sooner or later it will have to be addressed at that level- at home, as it were. In our yards and kitchens and minds.

For what is the environmental crisis, if not a crisis of the way we live? The Big Problem is nothing more or less than the sum total of countless little everyday choices, most of them made by us... If the environmental crisis is ultimately a crisis of character, as Wendell Berry told us way back in the 1970's, then sooner or later it will have to be addressed at that level- at home, as it were. In our yards and kitchens and minds.

If I were actually Homer Simpson, I'd be getting scripts out the wazoo.

God's arrows of affliction are sharp and painful so He can get our attention. He won't let His beloved children get away with sin because He knows it robs us of blessings, opportunities, and even character refinement.

Righteousness exalts a nation, and sin brings reproach.

A lot of guys out here are very serious, and God bless them, that's their personality. It's not a sin to be business-like.

The German people is not marked by original sin, but by original nobility.

The thing is when you play a character it's the persona you bring across from a book to film, or book to script to film. If I play Frank Sinatra, there's gonna be things I do in a movie that Frank might not have done, but it's the personality that comes across.

I drive the same car that I've driven since I was 16. That's who I am.