Quotes About Art-house

I could no more appreciate your unparalleled coffee nectar than I could understand the genius of whatever art-house auteur director you currently love or whatever obscure musical group you and exactly four of your friends listen to. I will never be cool like you. I will never understand the secret beauty of this world the way you do. So, give me a cider and your pity and/or contempt, and we can both get on with our lives.

If I would have planned it, I would have had what Gosling has, that kind of art-house career.

Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.

I got exposed to art-house cinema and foreign films. I was from L.A., so it was a film culture that I didn't know about.

I'm all for art-house foreign directors - I think they make terrific films - and I'm also for the bigger budget movies. It just depends on what the character is, the director, the script.

For a while, all the studios had their art-house divisions, but that went by the by pretty quickly. Now, they're really focusing on these huge blockbusters, spending a fortune on cartoon pictures and comic-strip movies and superhero movies, and they aren't making pictures like 'How Green Was My Valley,' which was an Oscar winner in its day.

I don't want to be an art-house movie guy, where people who go to film school can discuss your work, but people who haven't studied cinema can't appreciate it. By the same token, I don't want to be the guy who's making this commercial pap that people lap up but that disappears the minute you leave the theater.

I see racism as institutional: the rules are different for me because I'm black. It's not necessarily someone's specific attitude against me; it's just the fact that I, as a black man, have a much harder time making an art-house movie and getting it released than a white person does about their very white point of view. That's racism.

Being a wannabe auteur and my favorite filmmakers being part of the dead canon of European, Japanese art-house masters, I want to say that I don't want to care about genre and how it's limiting and all of that stuff.

The idea that things can be serious minded but must be somehow balkanized in the art-house ghetto is very upsetting because I think it limits not just the audience who was already going to see it, but those who might have had their tastes developed at a younger age.

I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.

It costs a lot of money to release a movie. What you'd call art-house movies - movies that don't have big stars or big budgets - they're very hard for distributors to get behind 'em and take chances.