Quotes About Wide

We make movies for the cineplex. They're designed for wide release. They're designed to be seen by a lot of people and eventually make money.

We make a lot of movies that I don't think merit a wide release. We have this label called Tilt, and we have the movies come out on that, and that's fine. But it shocks me when, having done this a few times, when I really believe a movie should get a wide release, and I struggle to get it released. That does surprise me.

I got hooked on immersive cinema when I worked on '2001,' which was initially shown on these Cinerama screens, which were all 90 feet wide and deeply curved.

Wandering the book fair at AWP is a great way to get acquainted with a wide sampling of the diverse journals that are out there and the wide sampling of people who produce them.

The Kerala market may be small, but the reach is very wide. I am told Malayalis in Russia and Paris, too, watch my films, and that's something!

Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens.

I'm trying to develop an approach to putting out a movie in wide release that makes some kind of economic sense for the filmmakers and the people that have a participation in the movie.

I realised when I was a striker that when I ended up wide on the left or right, it can be so much easier to get space and face defenders up.

The nice thing about BYU is that it takes in a wide area. There would be times where we'd travel and be on the road, and we'd have more fans than the home team that we're playing, a lot of really loyal fans.

Two wide men stuck out wide leave you very open in midfield, but it's a strength as well. Going forward, it makes you pretty dangerous to anyone.

I think the Brazil system is similar to the one we use at Liverpool, with lots of movement, players open out wide, and quality midfielders who join the attack and score goals.

Beauty really has such a wide field of interpretation. I guess that's why it's forever fascinating.

I'm an attacking player, and I can play wide.

There are a lot of things you learn from playing wide. You also understand the way that you can coordinate with the front three or front two.

Commercial films give you a wide exposure. For 'Dilwale,' I got calls from countries like Oman. Its reach is huge. Similarly, doing independent projects satisfy the actor in you.

That is my position, really: staying out wide and, most of the time, going into one v. one situations, which I am good at.

I'm a man of eclectic and wide and broad taste.

If I'm out wide, and they put a linebacker on me, I think that's a mismatch every time, regardless of who is on me.

I feel like I am definitely an attacking player. I don't really know where specifically that is, whether it's centrally or out wide. I do feel like I just naturally have a mindset to go to goal or create goals or things like that.

Supporters pay a lot of money, they do. And sport is beautiful in many ways, because it attracts people from far and wide.

I'm a big podcast guy, I have my own podcast called 'Wide Open.'

We were the ones that from the beginning said that 'Wide Open Spaces' was a hit. 'This is a hit, people are going to relate to it.'

One Missed Call,' it was regarded as a mainstream film for my career because it was big budget and filmed in Japan and it really opened wide in Japan, it did really well commercially. So I was really surprised.

Most wide receivers are soft, honestly, so once you get in their mind, it plays into my hands.