Quotes About Future

Sometimes writers write about a world that does not yet exist. We do it for a hundred reasons. (Because it's good to look forward, not back. Because we need to illuminate a path we hope or we fear humanity will take. Because the world of the future seems more enticing or more interesting than the world of today. Because we need to warn you. To encourage. To examine. To imagine.)

There are three phrases that make possible the world of writing about the world of not-yet (you can call it science fiction or speculative fiction; you can call it anything you wish) and they are simple phrases: What if . . . ? If only . . . If this goes on

Who wants to see the Future, who ever does? A man can face the Past, but to think - the pillars crumbled, you say? And the sea empty, and the canals dry, and the maidens dead, and the flowers withered? The Martian was silent, but then he looked ahead. But there they are. I see them. Isn't that enough for me? They wait for me now, no matter what you say.

They began by controlling books of cartoons and then detective books and, of course, films, one way or another, one group or another, political bias, religious prejudice, union pressures; there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves.

A young reader finding this book today, or the day after tomorrow, is going to have to imagine first a past, and then a future that belongs to that past.

we're the start of an amazing, dumbfounding history of survival that will only get better as the centuries pass.

They began by controlling books and, of course, films, one way or another, one group or another, political bias, religious prejudice, union pressures, there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves.

Oh, it started very small. In 1959 and '60 it was a grain of sand. They began by controlling books of cartoons and then detective books and, of course, films, one way or another, one group or another, political bias, religious prejudice, union pressures; there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves.

Who wants to see the Future, who ever does? A man can face the Past, but to think—the pillars crumbled, you say? And the sea empty, and the canals dry, and the maidens dead, and the flowers withered?" The Martian was silent, but then he looked on ahead. "But there they are. I see them. Isn't that enough for me? They wait for me now, no matter what you say." And

Time only works well in one direction. Back. I control the past. I'll be damned if I know what to do with the present, and to hell with the future. I'm not going to be there, don't want to go there, and would hate you if you made me. It's a perfect life.

Belki bin y?l içinde atlamak için daha küçük uçurumlar seçeriz.

They passed a law. Oh, it started very small. In 1950 and '60 it was a grain of sand. They began by controlling books of cartoons and then detective books and, of course, films, one way or another, one group or another, political bias, religious prejudice, union pressures; there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves.

If this goes on, all communication everywhere will be through text messages or computers, and direct speech between two people, without a machine, will be outlawed.)

What does it matter who is Past or Future, if we are both alive, for what follows will follow, tomorrow or in ten thousand years. How do you know that those temples are not the temples of your own civilization one hundred centuries from now, tumbled and broken? You do not know. Then don't ask.

The Murderer

Fahrenheit 451 is speculative fiction. It's an "If this goes on . . ." story. Ray Bradbury was writing about his present, which is our past. He was warning us about things; some of those things are obvious, and some of them, half a century later, are harder to see.

Siempre había una minoría que tenía miedo de algo, y una gran mayoría que tenía miedo de la oscuridad, miedo del futuro, miedo del presente, miedo de ellos mismo y de las sombras de ellos mismos.

Solo resta mencionar una predicción que mi Bombero jefe, Beatty, hizo en 1953, en medio de mi libro. Se refería a la posibilidad de quemar libros sin cerillas ni fuego. Porque no hace falta quemar libros si el mundo empieza a llenarse de gente que no lee, que no aprende, que no sabe.

One of the characteristic aspects of our time is that we fear the future. We fear the unholy powers unleashed by science. We fear the absolute power of states more tyrannical than the tyrannies of the past because they strive to rule men's minds as well as their bodies. And writers, who can imagine the dreadful details of such a future more vividly than the rest of us, write books capable of troubling our sleep indefinitely. . . .

There was going to be a war on Earth. He went out to peer into the sky. Yes, there it was.

there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves.

the Disney organization hired me to help plan the dreams that went into Spaceship Earth, part of Epcot Center, a permanent world's fair, now building to open in 1982. In that one building, I have crammed a history of mankind, coming and going back and forth in time, then plunging into our wild future in space. Including dinosaurs.

If this goes on . . ." thought Ray Bradbury, "nobody will read books anymore," and Fahrenheit 451 began. He had written a short story once called "The Pedestrian," about a man who is incarcerated by the police after he is stopped simply for walking. That story became part of the world he was building, and seventeen-year-old Clarisse McLellan becomes a pedestrian in a world where nobody walks.

Space travel has again made children of us all.