Quotes About Phonograph

Thomas Edison was a graduate of Cooper Union. Like Otis, he is principally famous for things he didn't do. He didn't invent electricity, or the lightbulb, the phonograph or the movies. These misappropriations didn't bother him much: he didn't correct folk. What he was good at, what he really knew, was patents.

I became an inventor by accident. I was out of the Air Force in 1956. No, no, that's not true: I went in in 1956, came out in 1959, was working at the University of Washington, and I came up with an idea, from reading a magazine article, for a new kind of a phonograph tone arm.

The phonograph box in the parlor became a new venue; for many people, it replaced the concert hall or the club.

The apartment was on the sixteenth floor. It was old-fashioned, which meant that the rooms were large and light-filled, the ceilings high enough to permit a constant circulation of air, and the walls thick enough for a man and his loving wife to have a stimulating argument at the top of their lungs without invading the nervous systems of surrounding neighbors. Raymond had rented the apartment furnished and nothing in the place beyond the books, the records, and the phonograph was his.

The Womeldorf family loved music, and one of Daddy's happiest memories was of the day his father came home from town bearing a morning glory horn Edison phonograph with round cylinder records. "How on earth could that contraption sing and play lovely music?" he remembered marveling. The family considered it the wonder of the age and loved listening to it.

It's the latest popular song, declared the phonograph, speaking in a sulky tone of voice. A popular song? Yes. One that the feeble-minded can remember the words of and those ignorant of music can whistle or sing. That makes a popular song popular, and the time is coming when it will take the place of all other songs.

Don't tell anyone I'm a poet; they might want me to write a book. Don't tell 'em I can sing, or they'd want me to make records for that awful phonograph. Haven't time to be a public benefactor, so I'll just sing you this little song for your own amusement.

By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.

Just as photography in the past freed painting from its concern for a certain sort of accuracy, so the phonograph will eventually no doubt rid the novel of the kind of dialogue which is drawn from the life and which realists take so much pride in.

The phonograph and kinetoscope may some day seize and perpetuate all save the magnetic touch, but that weird, illusive, indefinable yet wonderfully real power by which the orator subdues may never be caught by science or preserved for the cruel dissecting knife of the critic.

Rhythm and blues started even before phonograph records were being produced because black people entertained themselves. It wasn't done for money. It was done for entertainment. Most white people didn't know anything about this because prejudice kept them from ever seeing what was going on.

Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records.

A computer is like a violin. You can imagine a novice trying first a phonograph and then a violin. The latter, he says, sounds terrible. That is the argument we have heard from our humanists and most of our computer scientists. Computer programs are good, they say, for particular purposes, but they aren't flexible. Neither is a violin, or a typewriter, until you learn how to use it.

The little room was filled with American records and a phonograph. Izzy would let me stay back there and listen to them. I listened to as many as I could, even thumbed through a lot of his antediluvian folk scrolls. The madly complicated modern world was something I took little interest in. It had no relevancy, no weight. I wasn't seduced by it.

Lanny had read an item to the effect that the Army was dealing with shell-shock cases by means of suggestion implanted by a phonograph record played while the patient slept. They had a device to make radio records audible under the pillows of airplane pilots in training, and when they woke up in the morning they knew their lessons.

To learn by heart is to learn By hurt—grief inscribing Its wisdom in the soft tissue. Song you sing, poem you are— Finger moving, precise As a phonograph needle, Along the groove of scar.

In the 1950s in the United States, few music lovers were listening to chamber music. Daddy played Bach and Haydn on our phonograph for me. Not only did I become familiar with the form; he discussed the concerti. My own head start. My own Head Start.

Sinatra's melancholy was the melancholy of mass (old) media technology - the 'extimacy' of the records facilitated by the phonograph and the microphone, and expressing a peculiarly cosmopolitan and urban sadness.

When other entrepreneurs created jukeboxes by arranging for a phonograph to play popular music at the drop of a coin, Edison objected to this debasement, which apparently detracted from serious office use of his invention. Only after about 20 years did Edison reluctantly concede that the main use of his phonograph was to record and play music.

Only after about 20 years did Edison reluctantly concede that the main use of his phonograph was to record and play music.

There was a picture of Don Hector on the wall and next to the television was a phonograph with a large collection of cylinders. I looked through them. They were a mixture of old favourites – Dark Side of the Moon, Rumours, Ziggy Stardust – mixed with jazz and a little Puccini.

Vicarious musical pleasure by radio and phonograph, while it encourages listening to good music, seems to put a damper on musical self-expression. [In our childhood] we sang more. Children sang at school and in their play. Folks sang as they worked, indoors and out. Even drunks do not sing in the streets and buses as entertainingly as in [those] days.