Quotes About Story

Since the biblical God can truly be identified by narrative, his hypostatic being, his self-identity, is constituted in dramatic coherence. The classic definition of this sort of coherence is provided by Aristotle, who noticed that a good story is one in which events occur "unexpectedly but on account of each other" [Poetics 1452a3], so that before each decisive event we cannot predict it, but afterwards see it was just what had to happen.

Modernity was defined by the attempt to live in a universal story without a universal storyteller. The experiment has failed.

Death indeed will terminate my story, but it will not conclude it; for it will make all my hopes into might-have-beens and my fears into never-minds, and so make absurd the anticipatory coherences by which I have lived. if I am to have a conclusion, it will have to be a resurection.

Anything but history, for history must be false.

There is a story that psychiatry doesn't dare tell, which shows that our societal delusion about the benefits of psychiatric drugs isn't entirely an innocent one. In order to sell our society on the soundness of this form of care, psychiatry has had to grossly exaggerate the value of its new drugs, silence critics, and keep the story of poor long-term outcomes hidden.

Terroir tests the limits of science, it is never precise, it is essentially an untellable story.

That's a pretty story,' said Afanasievna as she let go of Ansky's genitals. 'A pity I'm too old and have seen to much to believe it.' It has nothing to do with belief,' said Ansky, 'it has to do with understanding, and then changing.

A]nd the wizened youth trembles more and more violently, wrinkles his nose and then pounces on the story. But only I know the story, the real story. And it is simple and cruel and true and it should make us laugh, it should make us die laughing. But we only know how to cry, the only thing we do wholeheartedly is cry.

This story is very simple, although it could have been very complicated. Also, it's incomplete, because stories like this don't have an ending.

En ik dacht: zo is de geschiedenis, een kort gruwelverhaal.

That's a pretty story,' said Afanasievna as she let go of Ansky's genitals. 'A pity I'm too old and have seen too much to believe it.' "It has nothing to do with belief,' said Ansky, 'it has to do with understanding, and then changing.

It is a miracle the story was ever finished at all, but perhaps an even greater one that a second volume ever followed the first, which was originally published in a tiny edition by Donald M. Grant, Publishers.2 The manuscript of that first volume, wet and barely readable, was rescued from a mildewy cellar. The first forty handwritten pages of a second volume (titled, as I remember, Roland Draws Three) were missing. God knows where they wound up.

It is hard to write down a story that has no sequence or sense, let alone make a picture of what my dream showed me.

It seems a fine tale, to hear you tell it that way, with none of the dirt and pain and misfortune." "It is a fine tale, even with the dirt and pain and misfortune.

When it finds you (whatever we call "it"—the Muse, inspiration, Story), writing moves past the careful construction of a plot line and the adding-in of needed characters. Story overflows outline and cuts its own passage through the valley of fiction. For the writer, it's an immersion.

Cancer was nothing more than a chapter in my life's story. It would never be my life's story.

One aspect of soulful healing that is most challenging and therefore most fruitful is the need to release a part of your story that may be lying underneath and behind the illness. Healing requires a willingness to rewrite the story you tell yourself about what has happened in your life and why it's happened. There is often an emotional attachment to the pattern that doesn't allow for easy change.

In indigenous ways of knowing, it is understood that each living being has a particular role to play. Every being is endowed with certain gifts, its own intelligence, its own spirit, its own story. Our stories tell us that the Creator gave these to us, as original instructions. The foundation of education is to discover that gift within us and learn to use it well.

Maybe there is no such thing as time; there are only moments, each with its own story.

The Skywoman story, shared by the original peoples throughout the Great Lakes, is a constant star in the constellation of teachings we call the Original Instructions. These are not "instructions" like commandments, though, or rules; rather, they are like a compass: they provide an orientation but not a map. The work of living is creating that map for yourself.

The landscape has changed, but the story remains.

For the greater part of human history, and in places in the world today, common resources were the rule. But some invented a different story, a social construct in which everything ins a commodity to be bought and sold. The market economy story has spread like wildfire, with uneven results for human well-being and devastation for the natural world. But it it just a story we have told ourselves and we are free to tell another, to reclaim the old one.

The story of Skywoman's journey is so rich and glittering it feels to me like a deep bowl of celestial blue from which I could drink again and again.

This braid is woven from three strands: indigenous ways of knowing, scientific knowledge, and the story of an Anishinabekwe scientist trying to bring them together in service to what matters most. It is an intertwining of science, spirit, and story—old stories and new ones that can be medicine for our broken relationship with earth, a pharmacopoeia of healing stories that allow us to imagine a different relationship, in which people and land are good medicine for each other.