Quotes About Story

Folk music usually romanticises the road. 'Back in my Body' tells the opposite story.

All the guys at Marvel are really passionate, and they love entertaining folks, and they really think about the story, and there's a lot of thought that goes into that.

Other than a short article I read in 2008 when the real story broke, I have not followed the Clark Rockefeller case, and 'Schroder' is not a novelization of that story.

Scale is very easy actually. Put a camera on a jib or a drone and get bloody big shots on big sets, it's very easy. But then you're distracted. If you're looking at the shot, you aren't following the story any more.

Once a story is set to a particular city, language and culture, the rest just follows.

The crazy thing about my story is that I only came to Leicester City because Leeds didn't want me. A lot of footballers say that, and it's almost a cliche. But the chairman literally told me that they didn't want me.

I have to share my story. Not for me, but for the people who might go through the same thing and for juveniles who have gotten in trouble.

It's their story, and I got to be the guy in the back while they were in the foreground.

Well, I think the thing that was always important to us, first and foremost, was that our Loki, it's his journey that he goes on, and that's something that we definitely were looking at for a long time.

It's great to try another format and be part of telling a story over ten episodes.

BoJack' is a very much a format-based show. The story should always match the format, but I don't necessarily think the story has to come first.

For my type of story and my kind of writing, I think 'Vanity Fair' is the right forum.

I grew up in a family where my father always told me, defend your ideas when you think your ideas are good, and struggle to get your story written. And I've always fought for that.

I went to Dave Eggers with this idea of doing a movie about a guy going through some sort of Frank Capra-esque journey.

We filmmakers are control freaks. For us, it's about bending the elements of a story into existence.

The fan base and the passion of the fan base is a large part of the story of the show 'Fringe.'

With 'Crazy Story,' I thought it from the back to the front. I thought about the ending first, then what's going to happen.

First, I have to read something and find it interesting and like the story. If I don't understand it fully, but there is something in there that is interesting, then it takes a director to convince me. If he can't do that, then I don't go with it. It doesn't matter where the project comes from.

My job is to help the functioning of the story, not to draw attention to myself, but to make my characters function within the story, to work for the benefit of the story, to make the whole thing work.

Chance, choice, and consequence are fundamental parts of existence and perfect fodder for a horror story - or any story, for that matter, that asks, 'How do you live through this? How does anyone live through this?'

I HAVE, I am aware, told this story in a very rambling way so that it may be difficult for anyone to find their path through what may be a sort of maze.

I do not know whether many people realize how much more than is ever written there really is in a story— how many parts of it are never told— how much more really happened than there is in the book one holds in one's hand and pores over.

Oh,Sara. It is like a story. It is a story...everything is a story. You are a story-I am a story. Miss Minchin is a story.

It IS a story, said Sara. EVERYTHING'S a story. You are a story—I am a story. Miss Minchin is a story.