Quotes About Story

Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.'

I own one movie by fellow Swede Ingmar Bergman, because I have to. You can't be a movie critic with a collection of six or seven hundred DVDs that includes everything from 'Tokyo Story' to 'Poison Ivy: The New Seduction' and not have a Bergman movie.

The literary story is a story that deals with the complicated human heart with an honest tolerance for the ambiguity in which we live. No good guys, no bad guys, just guys: that is, people bearing up in the crucible of their days and certainly not always - if ever - capable of articulating their condition.

It's almost like an optical illusion, 'The Hobbit.' You look at the book, and it is really thin, and you could make a relatively thin film as well. What I mean by that is that you could race through the story at the speed that Tolkien does.

Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.

This, she wanted to say. This moment no one sees. That tells it all. "Listen," he said. "There is no story until we're dead, and then our children tell it. We are just living. Your mother was living. Stop looking for what's not there. Nothing happened—life happened. Reality is not a story." "So only the people with stories to tell are those on the stones?

My story? How can that be relevant? There's not much to tell." "Every person has a story. And every story is important.

Dad? Um, listen. I have kind of a crazy story for you....

So what happens next?' 'Everybody dies, and the people who don't get married.' 'Like any other story, then.'

My sister was with two men in one night. She could hardly walk after that. Can you imagine? Two dinners!

Respect your characters, even the ­minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.

My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.

I surrendered my beliefs and found myself at the tree of life injecting my story into the veins of leaves only to find that stories like forests are subject to seasons

I realised that when someone plays hard to get, they are making themselves into a character in a story, and they choose the story that leads to the outcome they want.

we need to learn to tell the story that makes sense of Jesus. Not a story that we ask Jesus to fit into.

readers. The story of the Bible is creation, fall, and then covenant community—page after page of community—as the context in which our wonderful redemption takes place.

The church becomes a community called atonement every time it reads the story of Jesus and every time it identifies itself with that story and every time it invites others to listen in to hear that story. Reading Scripture and listening to Scripture and letting Scripture incorporate us into its story is atoning.

I hope at some time you can read J. R. R. Tolkien's brilliant short story called "Leaf by Niggle," because I can think of no better description of the continuity of this life in the New Heavens and the New Earth.)

as life is a story, so also is spiritual formation a story—a journey from earth to heaven.

That is, until we find the story that leads us to the gospel claim that Jesus is the Messiah, we don't have the Bible's story right.

The church, if it is going to be the church God designed it to be, must become a space for the full story of God's artistic grace — the story about where we were, where we are now, and where we will be someday.

we who seek to indwell the Bible's Story are indwelling the omniscient perspective of the divine's narration.

It is impossible for us to indwell this Story and not assume that narrative's perspective. Again, that perspective is God's perspective. It is not our perspective; it is God's perspective. It is God's perspective on us, not our perspective on others.

We in the Western world are obsessed with our individual relationship with God, which leads us to read the Bible as morsels of blessings and promises and as Rorschach inkblots. But reading the Bible as Story opens up a need so deep we sometimes aren't aware we need it: oneness with others under the King who rules his Kingdom.