Quotes About Story

Our job is not to comprehend or control everything, but to learn which story we are in and which of the many things calling out in the world is calling to us. Our job is to be fully alive in the life we have, to pick up the invisible thread of our own story and follow where it leads. Our job is to find the thread of our own dream and live it all the way to the end.

And you, Prince Elric? She attracted the albino's wandering attention. Do you know his story? Elric shook his head. I only know, he said, that he is a shape-changer and, that most cursed of souls, a person of rare goodness and sanity. Imagine such torment as is his!

I am a story as well as a happening, and I want my story to be known

Death, I discovered that day, is not frightening, because it is utterly still. And it is still because death, when it comes, is always over. There's only terror in it if you fear it and ever since my first death, Wes' death, I have never feared it. It is simply the end of a story, and if you've loved the story then it is sad. And sometimes, as it was with Wes, it is an agony of sadness.

He believed that we live on only as long as our story is told. I believe that too.

There is a story, always ahead of you. Barely existing. Only gradually do you attach yourself to it and feed it. You discover the carapace that will contain and test your character. You will find in this way the path of your life.

Your own story is just one, and perhaps not the important one. The self is not the principal thing.

Il y a toujours une histoire, une histoire qui attend. Qui existe à peine. À laquelle on ne s'attache que peu à peu et qu'on nourrit. On découvre la carapace qui contiendra notre personnage et le mettra à l'épreuve. On trouve alors le chemin que sera sa vie. (p.179)

No story is ever told just once.

She walks down the hall and climbs into her hammock, giving it a swing as she leaves the ground. Moments before sleep are when she feels most alive, leaping across fragments of the day, bringing each moment into the bed with her like a child with schoolbooks and pencils. The day seems to have no order until these times, which are like a ledger for her, her body full of stories and situations. Caravaggio has for instance given her something. His motive, a drama, and a stolen image.

His own life was no longer a single story but part of a mural, which was a falling together of accomplices. Patrick saw a wondrous night web-all of these fragments of a human order, something ungoverned by the family he was born into or the headlines of the day. A nun on a bridge, a dare-devil who was unable to sleep without drink, a boy watching a fire from his bed at night,an actress who ran away with a millionaire- the detritus and chaos of the age was realigned.

Corn is the hero of its own story, and though we humans played a crucial supporting role in its rise to world domination, it would be wrong to suggest we have been calling the shots, or acting always in our own best interests. Indeed there is every reason to believe that corn has succeeded in domesticating us.

There's a parable here somewhere, about the difference between journalism and history. What might appear to be the story in the present moment may actually be a distraction from it, a shiny object preventing us from seeing the truth of what is really going on beneath the surface of our attention, what will most deeply affect people's lives in time.

My confidence in telling this story gradually returned, and after a month I could write again; you can judge how well that's going, but at least it's going.

Chapman's craft, his example, invites us to imagine a very different kind of story about Man and Nature, one that shrinks the distance between the two, so that we might again begin to see them for what they are and in spite of everything will always be, which is in this boat together.

All of journalism is a shrinking art. So much of it is hype. The O.J. Simpson story is a landmark in the decline of journalism.

People don't understand how much time and work it takes to make somebody laugh, and how hard it is to write a script, to put together the story, the characters. When everyone laughs simultaneously, there's no greater feeling.

I believe that 'Feel Special' is the story of Twice, written in a song. I guess that is why our fans related to it the most, because it is a very sincere song.

All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.

In his enigmatic and cunning story 'The Crown of Feathers,' Isaac Bashevis Singer refuses to produce uncontradictory evidence of God's will but rather mixes all signals, jams the evidence, stalls every conclusion.

It's quite a famous story that takes place on Christmas Eve, and the Germans, French, and Scottish are trying to make peace one night and they bury their dead and they play football. I play a German opera singer, in German, which I never have so I am really excited about that.

Like an opera singer, I am able to sing out my song in paint.

I've always liked women singers and appreciate a good story being told. That's what country music used to do on the radio.

90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.