Quotes About Story

Pero entonces –porfía el muchacho alto–, si no es verdad que murió, si no es más que una historia, ¿cómo sabemos que hubo una tormenta? ¿Cómo sabemos que la tormenta no es también una historia? –Porque David acaba de decirlo. El carro, el desierto, la tormenta, todo eso lo dice David.

If it makes it any easier, this author can assure you that there will be no other appearances in this story by giant invisible rabbit spirits.

Ruhn had bared his fangs—which had descended all the way, their points like those of knives—and his already big body seemed to have swelled with aggression, becoming something huge and very deadly. As Saxton noted the transformation, his brain bifurcated, half of it remaining engaged with Minnie and the story…and the other part? All he could think of was what it would be like to have sex with that.

They're going to start talking all about climate change and weather patterns, but I had to help your boy out." "Xcor? I'm sorry…I don't understand." "Long story.

But then this one time, at band camp

but that's alright because now everything'll be alright & we'll soothe the forever boys & girls & before we're thru we'll find a name for this Goddam Golden Eternity & tell a story too

the innocent seriousness with which she told her story and I'd listened to so often and myself told-- wide eyed hugging in heaven together-- hipsters of America in the 1950's sitting in a dim room-- the clash of the streets beyond the window's bare soft sill.

I see the whole thing popping and parenthesizing in every direction, the story of that house and that kitchen.

If you tell a true story, you can't be wrong.

Once upon a time there'd been a blue-eyed sea captain dining in here.

Au fond, Qu'est-ce qui est arrivé après ? — voilà la seule raison d'être de la vie ou d'une histoire.

It was the myth of the rainy night.

'Salaam, Noni Appa' tells the beautiful story of the elderly Noni Appa, who finds love in the twilight of her life. The Noni Appa story gives you hope.

'Twin Peaks' is a continuing story; that comes from David Lynch and myself.

Well, there are conjoined twins in real life and we can tell a story about them so long as they're not the brunt of the jokes. In this, they're the heroes of this story; we love these guys.

Most important to any fake story is a plausible, realistic edge with a satirical twist that is topical.

Producing is figuring out how to make each character have a distinct voice, how to make the story twist and turn - that's the biggest challenge.

Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.

The story behind 'Check Point' is what drew me in. The script had a couple of twists that I really did not see coming... To get out there and raise people's awareness, I think there's a big responsibility in that.

There are times that you have a plot in your head, but then you find that the characters don't want to do that. When you're looking at the story from the outside, you can create whatever twists and turns you want. But when you're writing, you're inside the characters' heads, and you see that they may be motivated to do something different.

My writing has always been what you call 'narrative fiction' in the sense that it's got very strong plots and twists at the end.

You take out an injunction against somebody or some organisation and immediately news of that injunction and the people involved and the story behind the injunction is in a legal-free world on Twitter and the Internet. It's pointless.

I was using Twitter a lot on my phone, and was realising there was a massive gap between the link on the tweet and the full story. If you could come up with a summary layer to show in Twitter, that would be awesome.

A short story is the shortest distance between two points; a novel is the scenic route.