Quotes About Story

Every role is physical to a certain extent, but as a viewer, I don't respond well to actors doing more than they need to tell a story.

I won't call 'Cabin' an anti-home invasion story, because that's not exactly true, but the home-invasion subgenre is one I generally don't gravitate toward as a reader or film viewer.

Ultimately, you have to meet a realistic setting on screen with some imagination as a viewer, as that is what creates a story.

Cinema and the arts invite viewers to focus on a story and, in doing so, peel away its layers and peer into the depths of the human soul.

As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.

We're going to develop - what we want to do is to provide the viewers with what they want from CNN and that is the news. So when people tune in, they'll get the latest news, but they'll also get the biggest story of the day in depth, as CNN does so well.

The classic story of the Univision network is the mainstream pretends that the network doesn't exist, but then when it comes to sweeps or the ratings, they just have millions and millions more viewers than ABC, Fox, and CBS combined; it's that kind of a success story.

I've had a fantastic time at 'Coronation Street,' and I'm chuffed at the reaction to Becky. It's been this lovely redemption story, and I think that's what the viewers have enjoyed about it.

The success of 'Rome' was in making the history accessible and giving viewers everyman characters through which they can connect to historical figures. It stops the story from being too remote.

The original 'CSI' grew stronger once the spinoffs became entrenched. Like any good franchise, when there's a great story to be told, viewers can't get enough.

My performance, I believe, is about my duty to the script, and my duty to the story that we're trying to tell, and I try to do that in a way that is true, in a way that's going to hold up the script, and that's going to be fun for the viewers to watch.

Theatre is an actor's medium though behind the stage there is a playwright, director and perhaps in some, a music composer too, yet the actor is the one who ultimately tells the story to the viewers.

When viewers watch shows, they should relate to the story. There has to be a blend between reality and fiction.

You will always have partial points of view, and you'll always have the story behind the story that hasn't come out yet. And any form of journalism you're involved with is going to be up against a biased viewpoint and partial knowledge.

Now, I admire The Sims as a game, but from a story viewpoint, there are two glaring problems. First, your relationship with those characters is like they're bugs in a jar. There's no empathy. And secondly, you've got this clunky, chemistry-set interface between you and them, with bars to show how tired or angry they are. It's all tell not show.

Even when you're making a movie about life, death is a presence, and I guess it's part of my dramatic viewpoint. I'm not sure why exactly. Maybe I'm drawn to it as a story element.

You know, we're each the hero of our own story and we perceive what's going on around us, and especially in a relationship, from the kind of viewpoint of, 'Well, this is my story, and I'm the hero of that, and I justify what I do around it.'

If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.

After we'd filmed one series of 'Kiss Me Kate,' everyone was saying: 'The guy's got great comic timing,' - that was the first I'd heard of it. I'm not a comedian, I don't want to depend on a singular box of tricks. I like story and characters, to take on world views that are not my own.

What's now shocking is I can't say anything publicly without it having a life. Not because I have extraordinary views but because people are keen on conflict, so they'll make that the story.

To me, 'Kita y Fernanda' is very much an American story, and I know some people are going to think it's a Latina story, but it's about shifting people's paradigms and views of what it is to be American.

Christine Keeler was not allowed a voice. There were so many men who were imposing their views and opinions onto her and they decided who she was. Christine never had the opportunity to truly give her side of the story.

What's great about 'Game of Thrones' is they change the perspective, the POV, all the time. So you will have one story told by one character and you'll go, 'Oh my God, horrible', and then maybe the season after you have the same story told but from the person you thought was just the most horrible, vile creature.

'Call Me by Your Name' does not have a political agenda. It is not a 'cause' film. It is a simple and beautifully shot story about a same-sex relationship that exists in a very tiny Italian village.