Quotes About Story

The story told by all four gospels is the story of 'how God became king': not by the usual means of military revolution, but by the inauguration of sovereignty during Jesus' public career, and the strange but decisive victory on the cross itself.

especially when you add in his apparent fondness for parties, on the one hand, and prayer, on the other, and his remarkably shrewd ability to sum up situations, people, and problems in a pithy phrase or to tease out fresh meaning with a neat, telling story. What a man, we say to ourselves.

In whatever way the New Testament tells the story of the cross, it is always the story of self-giving divine love.

One of the central elements of the Christian story is the claim that the paradox of laughter and tears, woven as it is deep into the heart of all human experience, is woven also deep into the heart of God.

myth" in this strict sense is a story that purports to be in some sense "historical" and that encapsulates and reinforces the strongly held beliefs of the community that tells it.

Rabbinic literature, though it includes plenty of material from before AD 135, tends to see everything in the light, not of a continuing story about God and Israel within the ongoing flow of world history, but of the much thinner, often dehistoricized world of Torah-piety.

When Matthew has the angel tell Joseph that the child to be born will be "Emmanuel," "God with us," and then finishes his gospel with Jesus himself telling his followers that he will be "with them always," alert readers know that the entire story ought to be read with this in mind.

The second speaker contributing to what we hear the gospels saying is the one that enables us to hear the story of Jesus as the story of Israel's God coming back to his people as he had always promised.

It is that they learn to think of themselves as characters in the story of God and his people, whose earlier chapters set out characteristic lessons to be mastered by those who find themselves in the later chapters. But the overall point is this: they are in the same story, not a different story which happens to be parallel to another earlier one.

what we notice in Mark 10 is something which seems to operate in a different dimension. For a start, it is a call, not to specific acts of behavior, but to a type of character. For another thing, it is a call to see oneself as having a role to play within a story—and a story where, to join up with the

The gospels] are not merely antiquarian documents telling a strange story about a powerful but now long-gone moment of history. They are the moment of sunrise on a new morning, casting a strange glory over the landscape and inviting all readers to wake up, rub the sleep from their eyes, and come out to enjoy the fully dawned day and give themselves to its tasks.

When we learn to read the story of Jesus and see it as the story of the love of God, doing for us what we could not do for ourselves--that insight produces, again and again, a sense of astonished gratitude which is very near the heart of authentic Christian experience.

They are me, these women. They are the ones who taught me to see; I taught me to see. They, we, are the ones healing the Ginen story, fighting to destroy that cancerous trade in shiploads of African bodies that ever demands to be fed more sugar, more rum, more Nubian gold.

The Pocahontas story requires the princess to reject her own people and culture. This powerful theme has persisted, as the historian Nancy Shoemaker observes, because it contributes to the larger national rationale of the Indians' willing participation in their own demise.

The argument of this book is that America's class history is a more complicated story than we've previously considered. The past informs the present.

I know this president. And I can tell you that he cares deeply about the next generation of young women in this country - his daughters, and everyone's daughters. President Obama had the courage to stand with Sandra Fluke. Without hesitation, he defended her right to tell her story.

Pueblo, Colorado, a corrupt and decaying mining town high in the Rockies, is the setting for Heidi Julavits's The Mineral Palace, a story of motherhood, a troubled marriage, and the unveiling of long-held secrets.

The survivor gets to tell the story.

Beneath every story, there is another story. There is a hand within the hand...... There is a blow behind the blow.

Beneath every story, there is another story. There is a hand within the hand - hasn't Allie learned that well enough? There is a blow behind the blow.

I love the solitude of reading. I love the deep dive into someone else's story, the delicious ache of a last page.

It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.

History is a myth men want to believe.

What is history but a fable agreed upon ?