Quotes About Story

I like 'Pyaar Ka Dard Hai' on Star Plus. It not only has a good story but good actors as well.

A novelist can get by on story, but the poet has nothing but the words.

It is a long story how we finally ended up with the title simply being 'The Legend of Korra,' but in a poetic way, I think Korra's big Type A personality willed it to happen!

A documentary film-maker can't help but use poetry to tell the story. I bring truth to my fiction. These things go hand in hand.

I want the camerawork to fit the narrative and tell the story from the point of view of the character, but sometimes, to be interacting with the sensations of the story, you almost become like a ghost, you know? Like, someone that is floating, observing, not really judging what's going on.

'Must Feed and Water' is a love story told from the point of view of 'Love' as a character.

When I hear a story, I think about it from the point of view of the audience.

I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.

I was always more interested in story songs, things with a point of view... and things that informed me.

For 'A.D.,' when I got the script, I was really moved, because even though it told a story that I knew all my life, it was told in a different way. It was told from a very personal point of view.

I'm a very girlie girl, but I often find the heroes of my books trying to take over the story. In truth, I enjoy writing the male point of view more than any other.

My point of view, and more importantly, the president's point of view, is that the story is not about me or a debate with news outlets. The story is about the plans of the administration and what we're trying to project to the American people.

In a short story, you can use someone - we're only going to be with that person for maybe 10 pages, and they can have sort of a one note personality. And in a novel, you need to have arrows pointing more than one direction for that person.

I use colors to bring fine points of story and character.

The most challenging and exciting aspect is the outline and formation of the plot points. This is the stage where the notion of the story begins to take shape, and I can see glimpses of what is to come.

Each director is different. Clint Eastwood and Chris Nolan are completely different, and I need to adjust to the story and character and the director and just my duty as an actor.

The closer a horror story gets to the truth of things, the more affective it is going to be.

The reality is our story and the way we love and our taste in clothing and everything else. And what we ambitiously feel we can be.

I have a manuscript that I'm almost done with, but I've been saying that forever. I'm on what I think will be the second-to-last chapter. It's a story about chance and coincidence.

Obviously, Robbie Lawler isn't called ruthless for nothing; he's really earned his keep and has a crazy comeback story, probably the best comeback story we've seen in our sport.

I think that in any role you have, whether TV or film, it's hard to do comedy and drama within one story.

But every day I tell my story, and be comfortable with my story and be comfortable with what I've done, and what I did, and how I am today, it lessens the likelihood it will ever happen.

For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.

Wonderstorm is a new company and 'The Dragon Prince' is our first kind of big, exciting story that we're trying to bring to an audience.