Quotes About Story

For me, any story I tackle begins with the human relationships and not the plot.

Some directors don't get involved in the cinematography and are just about story, but I'm definitely more tactile than that in terms of my involvement in the minutiae.

I try to look at the films as I make them from a distance, in a way. I think of them as kind of pop culture artefacts. I'll often make posters and tag lines as I'm working on them, and not just conceive of them as a story I'm going to tell, but as a whole, a piece - a whole object that exists in the pop culture realm.

Bob has died in 'Kahaani' and so the tag should not be anymore with me now.

I don't want to do 85 scenes in a film that has no head or tail.

When 'Red Tails' came along, all I knew was that they were the first African-American fighter pilots in the U.S. Air Force. I had no idea how deep the story went or about all their amazing achievements. There were a few Tuskegee Airmen on the set to make sure everything was as authentic as possible.

A properly balanced story provides an equal representation of the negative and positive attributes of, I could say the world, but it's actually a being. 'Harry Potter''s a good example. So Harry's the hero, right. But he's tainted with evil. There's a dark and a light in every bit of that narrative. It's well balanced.

I hate acting when I see it. I don't want to feel it, I don't want to see it, I want to be taken away with the story - I don't want the actor's ego in front of me. That's what I try to live when I do the work.

I've definitely done things to change my behaviour. There are certain things you can't do when you get to a certain level in what you do. When it gets to a certain time, you're a story to somebody. It is something I have taken on board.

In 'Sanju,' there are too many colours. Some other filmmaker could have taken a dark side to that story.

A good country song takes a page out of somebody's life and puts it to music.

I've always said that Miguel Pinero's story is a quintessential American tale. An immigrant who comes to this country, is immediately marginalized to the lowest economic level and persecuted because of his skin color and, in spite of all the obstacles put in his way, he becomes a huge popular success.

Mary Trump's 'Too Much and Never Enough: How My Family Created the World's Most Dangerous Man' tells a remarkable story, the broad strokes of which many already knew. Mary Trump offers a tale of what she calls 'malignant' family dysfunction, and how it produced a malignantly dysfunctional president.

My parents knew about the story of Aladdin far before the animation film. It's a folk tale that is very prevalent in Egypt.

Having achieved and accomplished love... man... has become himself, his tale is told.

Any consideration of the story we call 'Cinderella' for simplicity's sake must acknowledge that 'Cinderella' has had a dizzying array of personae over hundreds of years, in several cultures. There is no one authoritative tale of 'Cinderella,' only a hall of mirrors with a different face in each reflection.

I was a little hesitant at first because there's so many ways you can get 'Straight Outta Compton' wrong. You know, it's such a great story; it's such a classic tale. I was a little nervous 'cause it's like a very narrow road to success with that type of story - you got to get it right - but when I read it, I was pleasantly surprised.

I say 'spectacle' rather than 'story' because in the end, it isn't the intricacies of narrative that draw us to horror films. When it's there, I'm grateful for the director's skill at telling an exquisitely nuanced tale filled with psychological insight, but it is the spectacles that I take home with me.

The real story of Netflix is complicated: an epic tale full of struggle, disappointment, drama, humor, and achievement.

When I first read the scenes I got to audition, I just could tell there was obviously something there. The writing speaks for itself, but also it's just the fact that 'The Handmaid's Tale' is such an amazing story. I had never read the book before I auditioned.

Obviously, for me, story is first and foremost, even in the face of the attractive idea of having all the cast there, or having a great piece of talent come to it.

I think if you are a talented person, your story makes you a bigger star rather than the art.

Nicola Barker is both prodigiously talented and admirably fearless. I have loved her books. But for some time, I had little or no idea what the point of the story of Sri Ramakrishna was. In fact, he was one of the outstanding men of 19th-century India.

'Talullah' is a movie I'm really proud of. Sian Heder is the director/writer, and I think she's extraordinarily talented. I think it was a beautiful story.