Quotes About Story

A story to me means a plot where there is some surprise. Because that is how life is - full of surprises.

I realized that one of the differences between news photography and dance photography was that the former has to tell a specific story, whereas all a dance photograph had to be was visually interesting.

I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss, whereas it might catch your attention.

Television and film are such streamlined story mediums. You can't really meander about, whereas a novel is an interior experience.

The difficulty with film is you always have to consign a story to being a certain length, whereas with a book you don't have budget constraints; you can cast it yourself.

The word war itself has a kind of glazing abstraction to it that conjures up bombs and bullets and so on, whereas my goal is to try to, so much as I can, capture the heart and the stomach and the back of the throat of readers who can lie in bed at night and participate in a story.

Obviously I am a photographer and I believe in my medium: I do think that powerful photographs can force change. It doesn't take long to look and be engaged in a strong image whereas, with a story, you have to actually sit down and pause and be involved in it.

Since news breaks on digg very quickly, we face the same issues as newspapers which print a retraction for a story that was misreported. The difference with digg is that equal play can be given to both sides of a story, whereas with a newspaper, a retraction or correction is usually buried.

Wherever my story takes me, however dark and difficult the theme, there is always some hope and redemption, not because readers like happy endings, but because I am an optimist at heart. I know the sun will rise in the morning, that there is a light at the end of every tunnel.

Everyone has something that scares them. Everyone must make a choice at some point whether to be brave. Everyone has a story.

My only criteria while selecting roles is that it should be a lead part in an interesting story where the character has depth and layers.

I think it's because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn't necessarily reach the heart.

I love 'White Christmas.' That's one of my favorites just because I love the music. I love the story, Bing Crosby. It's just one of my all time favorites. And it's hard to have a Christmas without seeing a little bit of Jimmy Stewart and angels running around town.

The norm is white, apparently, in the view of people who see things in that way. For them, the only reason you would introduce a black character is to introduce this kind of abnormality. Usually, it's because you're telling a story about racism or at least about race.

My father was the doyen of the divorce barristers. He was an extremely erudite and very famous divorce barrister. So that, when I was a little boy in the nursery, instead of a story like 'Snow White and the Seven Dwarfs,' I used to get 'The Duchess and the Seven Correspondents.'

It's not like I just have to go to Washington and go to the White House everyday, and go to the same press conference at 10 in the morning and then be briefed at 4 in the afternoon, and then get a story on at 6.

What's missing is leadership in the White House. And the story that Barack Obama does tell, forever shifting blame to the last administration, is getting old. The man assumed office almost four years ago - isn't it about time he assumed responsibility?

The story of Little Blue Riding Hood is true. Only the color has been changed to prevent an investigation.

My approach to the story... is if you can get into a criminal's mind and understand how it works and understand how crime is committed, you can help prevent it from happening to someone else.

Maybe because I'm a child of the '80s, but for me, a sequel is a story that follows the previous one, and sometimes if you haven't seen the original, then you don't understand the second one. Like 'Back to the Future 2.' If you haven't seen the first one, you're not going to get anything out of 'Back to the Future 2.'

I think, with 'Pride,' I always knew that was something amazing because of the people who were in it and the story and the way it was written and who was directing. Anyone in that cast knew it was special.

I have such pride in furthering the American musical and using it as a way to tell story.

When I'm considering an idea, and there is an element of hubris involved, I generally feel comfortable that it's going to be a good story. Pride goeth before a fall. It's an element of a lot of big stories.

For the film 'Saat Khoon Maaf,' which was adapted from my story 'Susanna's Seven Husbands,' I did collaborate on the screenplay. I even took a small role in the film, of a priest.