Quotes About Presence

Wherever I am, the world comes after me. It offers me its busyness. It does not believe that I do not want it.

I am, myself, three selves at least. To begin with, there is the child I was. Certainly I am not that child anymore! Yet, distantly, or sometimes not so distantly, I can hear that child's voice—I can feel its hope, or its distress. It has not vanished. Powerful, egotistical, insinuating—its presence rises, in memory, or from the steamy river of dreams. It is not gone, not by a long shot. It is with me in the present hour. It will be with me in the grave.

Listen, whatever you see and love- that's where you are.

Though I play at the edges of knowing, truly I know our part is not knowing, but looking, and touching, and loving, which is the way I walked on, softly, through the pale-pink morning light.

PERCY (NINE) Your friend is coming I say to Percy, and name a name and he runs to the door, his wide mouth in its laugh-shape, and waves, since he has one, his tail. Emerson, I am trying to live, as you said we must, the examined life. But there are days I wish there was less in my head to examine, not to speak of the busy heart. How would it be to be Percy, I wonder, not thinking, not weighing anything, just running forward.

I have been thinking about living like the lilies that blow in the fields. They rise and fall in the wedge of the wind, and have no shelter from the tongues of the cattle, and have no closets or cupboards, and have no legs. Still I would like to be as wonderful as that old idea. But if I were a lily I think I would wait all day for the green face of the hummingbird to touch me. What I mean is, could I forget myself even in those feathery fields?

When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world.

I know I can walk through the world, along the shore or under the trees, with my mind filled with things of little importance, in full self-attendance. A condition I can't really call being alive.

The god of dirt came up to me many times and said so many wise and delectable things, I lay on the grass listening to his dog voice, crow voice, frog voice; now, he said, and now, and never once mentioned forever

Miles below in the cold woods, with the mouse and the owl, with the clearness of water sheeted and hidden, with the reason for the wind forever a secret, he descends and sits with me, his voice like the snapping of bones.

Every summer I gather a few stones from the beach and keep them in a glass bowl. Now and again I cover them with water, and they drink. There's no question about this; I put tinfoil over the bowl, tightly, yet the water disappears. This doesn't mean we ever have a conversation, or that they have the kind of feelings we do, yet it might mean something. Whatever the stones are, they don't lie in the water and do nothing.

When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world.

It wasn't about the bird, it was something about the way stone stays mute and put, whatever goes flashing by.

I have my ways of praying, as you no doubt have yours. Besides, when I am alone I can become invisible. I can sit on the top of a dune as motionless as an uprise of weeds, until the foxes run by unconcerned. I can hear the almost unhearable sound of the roses singing. — Mary Oliver, from "How I Go to the Woods," Swan: Poems and Prose Poems (Beacon Press, 2010)

I tell you that ant is very alive! Look at how he fusses at being stepped on.

When I wake, and you are already wiping the stars away

if the doors of my heart ever close, I am as good as dead. Every morning, so far, I'm alive.

I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I've been doing all day. Tell me, what else should I have done? Doesn't everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?

Your clocks, he says plainly, which are always ticking, do not have to be listened to. The spirit of his every word.

If I were a perfect person, I would be bowing continuously. I'm not, though I pause wherever I feel this holiness, which is why I'm often so late coming back from wherever I went.

but he was unreachable. As music is present yet you can't touch it...

It has an undeniable value: it exists.

Everything That Was Broken Everything that was broken has forgotten its brokenness. I live now in a sky-house, through every window the sun. Also your presence. Our touching, our stories. Earthy and holy both. How can this be, but it is. Every day has something in it whose name is Forever.

Let me     keep my mind on what matters, which is my work, which is mostly standing still and learning to be     astonished.