Quotes About Sequel

I was concerned about doing a sequel and repeating myself. That was before I read the script.

If I could, I'd love to make 'Dragon's Dogma 2' - it'd be awesome.

Many years ago, I was actually hired to write the sequel to 'Independence Day.' And I wrote a sequel. And they paid me a boatload of money to go write this thing. And after I wrote it, I read it and I gave them back the money and I said, 'Look, this is an okay movie I just wrote. But it's not worthy of the sequel to 'Independence Day.'

'The Karate Kid' was just lightning in a bottle. The second movie is a very worthy sequel, because you got to explore the Okinawan culture and learned about Miyagi's life. The third, as is always the case, was made because the second one made a lot of money.

Finally, after a long wait of 11 years, Murad Bhai came to me with a script, which I felt was worthy of taking 'Bhool Bhulaiyaa' forward as a franchise. I am thrilled to announce 'Bhool Bhulaiyaa 2' in association with Murad Bhai, together with whom we delivered the box-office hit 'Kabir Singh.'

My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.

My favorite part about Mare Barrow is her almost selfish survival instinct, as well as her increasingly gray morality. Her character arc in 'Glass Sword' is a lot deeper and more emotional than before, so I'm glad I got to write this sequel and that people want to read it.

The impossibility of a sequel ever recapturing everything - or anything - about its ancestor never stopped legions of writers from trying, or hordes of readers and publishers from demanding more of what they previously enjoyed.

Some books are serials, not to be mistaken for anything else. 'The Two Towers,' for example, ought never to be read in isolation.

After we finished 'Toy Story 2,' we talked about going right into making 'Toy Story 3,' because we had an idea that we thought had some promise. But there were a bunch of boring contractual problems going on between Disney and Pixar at the time that kept us from making the movie.

I never wanted 'Toy Story 3' to feel like another sequel just grafted on. We all know that if you put 3 after your title, it typically means garbage, and we knew that going in.

I would LOVE to be in the Star Trek sequel! Yeah! I would love to! I better write that letter to J.J.[Abrahams]

The brilliance of 'Sharknado 2' is it's more of the same - similar formula, more of the experience.

The first sequel thing I wrote was this 'Forever Dawn' thing that will never get out, because it's horrid. But it's a really good outline for 'Breaking Dawn' - it's very similar. I knew what I was doing, which is good, because I think if I hadn't, there might have been a lot of pressure.

There are more crime films about the corruption of power because our society has similar problems. It would be great for me as an actor to work on an 'Inside Men' sequel, but I hope it never gets made. Because it would mean the corruption is still there.

Every violent death represents the climax of one story and an introduction to its sequel.

With 'Insidious 2,' I wanted to push a potential franchise in the direction I thought it should go in.

I would love to work on another installment of 'Gilmore Girls.'

With a sequel, you always worry for its integrity.

When I wrote 'Savage Season,' it was three years later before I wrote the second Hap and Leonard novel. Whenever I wrote one, I never intended to write the next one.

The first is that instead of writing a sequel, which is what most people do, this is in fact a prequel. Although we didn't know that when we began the process.

They're still working on the script - they've got to get that nailed down and they want the first movie to come out obviously, not get too ahead of themselves. But yeah, it's looking good. I love the second book a lot as well, so kind of diving into that is awesome.

'Ralph's Party' was a romantic comedy, and at the end of it, the two main characters, Ralph and Jen, kiss for the first time and think they're going to be happy together. Then, 10 years later, I wrote a sequel in which they've been together for 10 years and are about to split up.

For the only true sequel is the one that flickers briefly into being in your mind, O my friend by the fireside, in the moments after you read the last paragraph and lay the book down.