Quotes About Sequel

There is hardly a person alive who does not want to know 'what happened next,' in any context.

Since 'Main Hoon Na' is a cult film, if I want to make a sequel, the story has to be good!

I have full confidence that the Sequel Queen is a tag that's going to stick... And I will be loving it!

I consider composing music to the sequel of 'Ladies Tailor' which had music by Ilayaraaja as my biggest blessing.

We always talked about the sequel to 'Clown' being called 'Clowns,' like an 'Alien'/'Aliens' sorta thing, where you have multiple clowns. And just really make it, in the way that 'Aliens' was an action movie, do the same thing. Action-horror. That would be great.

It was a weird reaction to 'Batman Returns,' because half the people thought it was lighter than the first one, and half the people thought it was darker. I think the studio just thought it was too weird - they wanted to go with something more child- or family-friendly. In other words, they didn't want me to do another one.

To do a sequel is so weird, you don't really think about it.

'Dawn Of The Planet Of The Apes' was really well done.

'How to Train Your Dragon,' the first one, was a film I'd seen prior to being approached for the sequel. I don't often watch family animated movies, but it's one that I loved and thought was really well done: beautifully crafted storytelling.

Basically, I always thought that if I had a movie that did well enough and warranted having a sequel, I would seriously entertain it because that's a huge blessing when that happens in your career.

I'm praying for 'Ice Age' 4, 5, 6, 7, 8, 9 and 10. Because I really think we can run those characters into the '60s, and I'm talking the 1960s, you know? The Civil Rights Movement. That's what I'm praying for, because then I wouldn't have to do anything else.

'Independence Day,' ever since we did it, there's been enormous pressure to follow it up.

It's always an enormous pressure when you do a sequel. The demands are so high, and it's expensive.

If they want to do a 'Defenders 2,' I'm in.

Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.

We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it.

A sequel is an admission that you've been reduced to imitating yourself.

Maybe because I'm a child of the '80s, but for me, a sequel is a story that follows the previous one, and sometimes if you haven't seen the original, then you don't understand the second one. Like 'Back to the Future 2.' If you haven't seen the first one, you're not going to get anything out of 'Back to the Future 2.'

You never know in a movie if it's going to be a sequel, but right now I'm proud of what we produced.

A franchise gives a sense of security to everyone - the director, producers, exhibitors, and even the audience feels that they are watching something close to the first part.

I don't know about doing a sequel. I think you can retroactively damage a product by adding to it.

When I am making a sequel, it needs to be different from what you have already seen. Yet, it needs to maintain a certain discipline so that people still associate it with the prequel.

aftermath. The after mowth, which later came to be pronounced "aftermath," is the second or later mowing, the crop of grass that springs up after the first hay mowing in early summer when the grass is best for hay. This term was used as early as the 15th century, and within a century aftermath was being applied figuratively to anything that results or follows from an event.

Thanks for reading MIND'S EYE! I hope that you enjoyed it. If so, Nick Hall will return in BRAINWEB, available in February of 2015. When