Quotes About Taboos

The taboos that constitute a man's intellectual stature, often sedimented experiences and unarticulated insights, always operate against inner impulses that he has learned to condemn, but which are so strong that only an unquestioning and unquestioned authority can hold them in check.

That civilised life cannot be lived without taboos—that some of them may indeed be justified, and that therefore taboo is not in itself an evil to be vanquished—is a thought too subtle for the aesthetes of nihilism.

As for snobbery, the intellectual raises himself above ordinary folk -- who still cling quixotically to standards, prejudices, and taboos -- by his thorough rejection of them. Unlike others, he is not a prisoner of his upbringing and cultural inheritance; and thus he proves the freedom of his spirit by the amorality of his conceptions.

man who thinks he is guarding himself against prejudices [by which he means inherited moral standards and taboos] by resisting the authority of others, leaves open every avenue to singularity, vanity, self-conceit, obstinacy, and many other vices, all tending to warp the judgment.

Mientras mi cuerpo sabía qué anhelaba, mi espíritu rechazaba cada clamor de mi cuerpo. De pronto me sentía avergonzado, atemorizado; de pronto tenía un optimismo febril. Los tabúes me estrangulaban.

I beg your pardon," Philip interposed stiffly, now put upon his mettle. "We have no taboos at all in England. ... England, you must remember, is a civilized country, and taboos are institutions that belong the lowest and most degraded savages.

The most dangerous man to any government is the man who is able to think things out... without regard to the prevailing superstitions and taboos. Almost inevitably he comes to the conclusion that the government he lives under is dishonest, insane, intolerable.

The high hopes of the 1960s were over. Old taboos had been broken down but no new codes of conduct were ready to replace them. Football terraces became battle-zones. Alcohol and drug consumption rose dramatically. Graphic violence – almost always WW2-themed – and soft porn went mainstream. Men like Jimmy Saville and Gary Glitter discovered that if they just got on the telly, they could do whatever they liked.

Norman Lear was talking about everything in the '70s... race, sexism, all of it. The network comedy really stayed away from that in the 1980s and 1990s.

The same taboos against genuine feeling that were in place in his childhood will clamp down around him all over again and he'll become what we might call emotionally illiterate. He won't put words to his feelings, much less talk them over. So the more frustrated his wife becomes, the more he'll withdraw or blow up or freeze. In this vicious circle, a past issue comes to life in the present.

Women have a much better time than men in this world; there are far more things forbidden to them.

It is the desire for irreverence as much as anything else that brought me first to poetry. The need to make fun of authority, break taboos, celebrate the body and its functions, claim that one has seen angels in the same breath as one says that there is no god.

I do think most poets are in denial about what the real taboos in writing are--the real boundaries.

It just so happens that people aren't doing comedy about abortion or cannibalism or waterboarding. And that to me doesn't necessarily mean that there aren't aspects of those subjects that are funny, it just means that people are too uptight.

Prior to the 1980s, David Burns writes, depression had been the cancer of the psychological world—widespread but difficult to treat—and the taboos associated with it made the problem worse for most people. As

At the social/political/ juridical, etc., level, the organizing principle was less to do with games and more to do with the nature of taboos—enormously powerful, often enormously arbitrary, and (crucially) regularly quietly broken, without undermining the fact of the taboo itself. That last element, I think, is sometimes underestimated in the discussions of cultural norms, where they are both asserted and breached. Both those elements are foundational. — author interview

The most dangerous man, to any government, is the man who Is able to think things out for himself, without regard to the prevailing superstitions and taboos. Almost invariably he comes to the conclusion that the government he lives under is dishonest, insane and intolerable, and so, if he is romantic, he tries to change it. And if he is not romantic personally, he is apt to spread discontent among those who are.

She started thinking about all the euphemisms for death, all the anxious taboos that had always fascinated her. It was too bad you could never have an intelligent discussion on the subject. People were either too young or too old, or else they didn't have time.

You might find contradictory taboos. In one culture it might seem shocking to think x, while in another it was shocking not to. But I think usually the shock is on one side. In one culture x is ok, and in another it's considered shocking. My hypothesis is that the side that's shocked is most likely to be the mistaken one.

I do not permit blasphemy, the F-word, or obscenities such as soy milk at my table. Consider yourself chastised.

I don't think there's anything outside what comedy can address.

Sexual taboos are man's invention. Sexual repression and misogyny are the result of a paternalistic society with a fundamental disconnect from its own basic nature. From angry, gynophobic mullahs hell-bent on covering women up to their eyeballs, to the denizens of Vatican City, who look and dress like a bunch of drag queens, some truly perverted individuals have been allowed to make the sex rules for everyone else. Marriage

There were a few compensations to having corporeal Aspect. Food (jam tarts were my favourites); drink (mostly wine and mead); setting things on fire; sex (although I was still extremely confused by all the taboos surrounding this - no animals, no siblings, no men, no married women, no demons - frankly, it was amazing to me that anyone had sex at all, with so many rules against it).

Best-selling novelist Paul Tremblay writes that horror really works only when it "push[es] and prod[s] at moral boundaries" and forces its audience to "confront personal and societal taboos." In fact, he suggests that horror films need a "progressive" vision to really pull us out to sea on a dark tide.