Quotes About Grimness

Ma stood for a long moment and took in the panorama. Her gaze moving from left to right, she viewed the perimeter of the ice-covered plain. Three sides of the lake were bordered in marshland. The dusky skeletons of long dead pine trees angled helter-skelter at the verge of the marshes. Beyond, scrub forests of oak and maple in saturnine nakedness stood on the rolling terrain. A dark overcast added to the grimness of the tableau. Ma looked over the expanse of ice toward the old resort.

I felt sure, glaring at the children as they settled onto the sand with their shovels, that these creatures were never threatened by the grimness of history, either. Then, looking down on their glossy heads, I realized that they were indeed threatened; they were simply unaware of it. We were all vulnerable.

I think when you're coping with grimness perhaps you do get sillier and more escapist in what you want to see at the theatre.

There were no colors. Everything was neutral. From this I know that hell is not black or fiery. It is an unvaried gray without promise.

Hardbread looked concerned, as usual. Red Hat looked grim, as usual. Oxel had his usual shifty sideways squint like the knight herald was another man's sheep he was thinking of making off with. And Shivers just looked like Shivers, which was probably the most troubling of the lot.

There's nothing funny about violence. Death is a real thing.

Val prayed the remaining two weeks would fly past. The dangers of being picked off on patrol, or being overrun and killed by Boers in British uniforms, was infinitely preferable to the grimness of social availability in Pretoria

An utterly steady, reliable woman, responsible to the point of grimness. Daisy was a statistician for the Gallup Poll.

Her sister carried with her most of the grimness of shift and toil.

But Ahab, my Captain, still moves before me in all his Nantucket grimness and shagginess; and in this episode touching Emperors and Kings, I must not conceal that I have only to do with a poor old whale-hunter like him; and, therefore, all outward majestical trappings and housings are denied me. Oh, Ahab! what shall be grand in thee, it must needs be plucked at from the skies, and dived for in the deep, and featured in the unbodied air!

Maybe the desert wisdom of the Dakotas can teach us to love anyway, to love what is dying, in the face of death, and not pretend that things are other than they are. The irony and wonder of all of this is that it is the desert's grimness, its stillness and isolation, that brings us back to love.

It's becoming clearer and clearer to me that the world is there to be celebrated by writers, and in fact this is what all the good ones do, and that the great fashion for gloom and grimness was in fact a false path that certain writers took, I think in response to the horrors of the first half of the twentieth century.

Mere grimness is as easy as grinning; but it requires something to put a handsome face on a story. Narratives become of suspicious merit in proportion as they lean to Newgate-like offenses, particularly of blood and wounds...

When she was chair of the Orange Prize for Fiction in 2010, Daisy Goodwin wrote a controversial essay lamenting the 'unrelenting grimness' of so many novels and pointing out that 'generally great fiction contains light and shade'---not only misery but joy and humor. 'It is time for publishers to stop treating literary fiction as the novelistic equivalent of cod-liver oil: if it's nasty it must be good for you.