Quotes About Illusion

Don't shut your eyes, don't give in to illusions, I will never change. My need to keep up an uninterrupted exchange of letters with you comes not from love but from my unhappy disposition

Ä°ntihar eden kiÅŸi, hapishanenin avlusunda daraÄŸac? kurulduÄŸunu gören, bu daraÄŸa-c?nm kendisi için kurulduÄŸu kuruntusuna kap?l?p, geceleyin hücresinden kaçarak kendini asan bir tutukludur.

If what was supposed to be destroyed in Paradise was destructible, then it can't have been decisive; however, if it was indestructible, then we are living in a false belief.

Evil is an emanation of human consciousness at certain transitional points. It is not really the physical world that is illusion, but the Evil of it, which to our eyes constitutes, admittedly, the physical world.

it looks worn to them in the mirror... almost not wearable at all.

63. Nasza sztuka jest tylko o?lepieniem prawd?. Prawdziwe jest ?wiat?o na cofaj?cej si? g?bie, poza tym nic.

What is it that makes you all behave as though you were real? Are you trying to make me believe I'm unreal, standing here absurdly on the green pavement? You, sky, surely it's a long time since you've been real, and as for you, Ringplatz, you never have been real.

JesteÅ›my mianowicie jak pnie drzew le??ce na Å›niegu. Pozornie spoczywajÄ… lekko na gÅ'adkiej powierzchni i zda siÄ™, ?e mo?na by je przesun?? jednym lekkim pchniÄ™ciem. Nie, nie mo?emy tego uczyni?, gdy? sÄ… mocno przymar?niÄ™te do ziemi. Ale spójrz, i to nawet jest tylko pozorne.

The animal twists the whip out of its master's grip and whips itself to become its own master—not knowing that this is only a fantasy, produced by a new knot in the master's whiplash.

I once heard of a young man whose mind was taken up day and night with thoughts of the Castle, he neglected everything else, people feared for his ordinary faculty of reason since all his faculties were always up at the Castle, but in the end it turned out that it wasn't actually the Castle he was thinking of but only the daughter of a scullery maid at the offices, he got her, and then all was fine again.

It is like living in a wilderness of mirrors. No fact goes unchallenged.

I think people are more apt to believe photographs, especially if it's something fantastic. They're willing to be more gullible. Sometimes they want fantasy.

When I was playing Ajax, he thinks he's a hero; he thinks he's saving people. He thinks he's helping Wade Wilson by turning him into Deadpool.

He ploughs the waves, sows the sand, and hopes to gather the wind in a net, who places his hopes in the heart of a woman.

Talking nice about sun and wind and green jobs is just greenwash.

Making the unbelievable believable is different on a set with 'Fantastic Four,' where it's like, 'Wind machines! Because the airship is coming in and you're pretending to be afraid!'

Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.

Whereas 'Avatar' and other movies get shocks out of their three-dimensionality, 'Gatsby' is going to be about inviting the audience into this larger-than-life drama, letting them almost be inside the room rather than looking at it through the window. I think it will really work.

All kingdoms look small through an airplane window - little dominions built on quicksand. But looking up from the ground, where most of us stand, they're rather impressive.

The skyline in Alfred Hitchcock's 'Rope' is made up: no, you don't get the Waldorf and the Chrysler and the Empire State buildings and a dozen other magnificent structures in one window.

Film is a window to the real world but a lie that makes you believe the unbelievable.

I became startled by the extraordinary difference between something whose surface is completely invisible which only makes itself present by virtue of what it reflects, and a window, which doesn't make itself apparent at all, in the ideal case.

In terms of so-called fly-on-the-wall documentaries, there's a claim that the camera is a transparent window into a pre-existing reality. What really is happening is that the film crew and the subjects are collaborating to simulate a reality in which they pretend the camera is not present.

Sometimes when you really try to be earnest, everything disappears. If you really try to make a romantic movie, the first thing that goes out the window is the romance or real passion. It suddenly becomes cute-ville or cozy-ville. It's another world other than life.