Quotes About Artwork

I wanted to be a painter and an artist. And it's interesting that in some of my later musical works, I refer so often and associate myself with works of art.

I was buying old records a lot in my early teenage years and I was mostly drawn toward the artwork even more than the band itself. I loved the way the art set the scene for the music.

Without a doubt, I must read, all the booksI've read about.See the artworkshung on hooks, that I have only, seen in books.

My response to stress is just as complex as my artwork.

I'm not going to work with a company that uses my artwork, which is precious to me, and not allow me to do certain things.

I love Sell Out, I think it's great. I love the jingles. The whole thing as an album is a wonderful piece of work. The cover. Everything about it. It's got humor, great songs, irony.

I enjoy being involved in making the artwork for albums and stupid stuff like that.

Despite erasure by the media and other patriarchal institutions, there was, by 1975, a substantial body of feminist writings as well as artwork, music, films, and organization of all kinds.

I love working with rotoscopic animation because under the incredible handpainted artwork are real actors and real human performances.

I would say my favorite is probably the 'Colder' video. Just because that sort of brings the album artwork to life. It's not my favorite song on the album, but visually, I think it just came out exactly how I had it in my head.

A Grand Design we couldn't see because we were part of it. A Grand Design we only got occasional, fleeting glimpses of. A Grand Design involving the entire course of history and all of time and space that, for some unfathomable reason, chose to work out its designs with cats and croquet mallets and penwipers, to say nothing of the dog. And a hideous piece of Victorian artwork. And us.

Because my parents are Rwandan, there was always a lot of colour and artwork in our house and that informed my love of bright and vibrant clothes.

I'll tell anyone anything about my life, and that is my biggest goal is to always be authentic - in my music, in my artwork, in everything I do. It has to be who I really am.

I remember opening up my first vinyl and seeing the incredible artwork it had. There's nothing like it. You also get that true gritty sound on vinyl that really makes a rock record sound great, which CDs can never achieve.

People don't appreciate music any more. They don't adore it. They don't buy vinyl and just love it. They love their laptops like their best friend, but they don't love a record for its sound quality and its artwork.

All this beauty exists so you and I can see His glory, His artwork. It's like an invitation to worship Him, to know Him.

My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.

I get to do some kind of artwork almost everyday and it just so happens that I can pay the bills and support my family while doing it.

When the Picasso sculpture was installed in Chicago's Daley Plaza in 1967, then-Ald. John Hoellen (47th) called on the city to "deport" the artwork to France and replace it with a statue of Cubs slugger Ernie Banks.

The Artwork as Misunderstanding There is a crisis with regard to Representation. They are looking for Meaning as if it was a thing. As if it was a girl, required to take her panties off as if she would want to do so, as soon as the true interpreter comes along. As if there was something to take off.

My paintings are not the executions of one idea or emotion that goes from (a) intention to (b) artwork. (Our notions of cause and effect are also in bad shape.) Drawings are closer and quicker in conveying immediate feelings. The more you move towards paintings, the darker the wood becomes through which Little Red Riding Hood goes, and it's not only the wolf but also the wicked with and the seven dwarfs, Judas and Jesus and the journalists, whom she has to face.

The second was my stupidity in not availing myself of the opportunity of buying 'La Terre Labourée', of Miró, in London in 1939 for fifteen hundred dollars. Now, if it were for sale, it would be worth well over fifty thousand.