Quotes About Covers

When I was in Baltimore, I played in several different bands, doing four sets a night, two sets of originals, two sets of covers, that kind of thing.

The thing about doing mashups and covers is it's great, but a part of you never gets to really showcase what your original sound is like or what your writing voice is like.

Each copy is guaranteed—or double your money back—to be printed on genuine paper of enough pages to hold the covers apart.

If you take missions out of the Bible, you won't have anything left but the covers.

In canning, the best stuff comes out of things that aren't so sweet, and you have to hope the analogy covers everything.

Any sin you cover, God uncovers. Any sin you uncover, God covers.

There are a lot of magazines that are still sort of... that only cater to a certain demographic and only put certain people on their covers.

I wanted to give people a taste of my own music through the sound and style of my covers.

I think I started doing covers when I was... what, like 9 or 10? I would always do the songs that I wanted to do and the songs that my parents wanted me to do. You would see me cover every Adele, Christina Aguilera, Taylor Swift and Carrie Underwood. Then I'd have to do 'Sweet Child O' Mine' and 'Crazy Train,' and it was a really weird combination.

The death of literature had been exaggerated. Whereas on dating websites, those who like books are usually bracketed into a single category, the broad selections on offer at WH Smith spoke to the diversity of individuals' motives for reading. If there was a conclusion to be drawn from the number of bloodstained covers, however, it was that there was a powerful desire, in a wide cross-section of airline passengers, to be terrified.

I started posting a few covers on SoundCloud in 2017, and that got me into contact with my producer who I still work with, Josh Fountain.

I think that, in a digital age, album covers are becoming a lost art.

I've never met any artist who illustrated one of my books, although I've corresponded briefly with one. I have always been impressed by the technical expertise involved in the covers, even if sometimes puzzled by the subject matter.

Your life story is a novel; and people, though they love novels wound between two yellow paper covers, are oddly suspicious of those which come to them in living vellum.

I could play it safe by recording songs that are familiar, but am I expanding myself as an artist by doing covers? It's a catch-22. It's called show business: The word 'business' is in it, and you've got to be a businessman. But then again, you have to be true to yourself as an artist.

I've always been charmed by houses, and descriptions of them are prominent in my novels. So prominent, in fact, that my editor once pointed out to me that all of my early novels had houses on the covers.

When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.

If we look at the fact that record covers are essentially advertisements for the music, we acknowledge a function and purpose to draw in the prospective buyer.

I am really proud that I am one of the artists that has the opportunity to be on magazine covers and to be in the movies.

There are many examples of great songs that become more famous when they are covered.

A lot of science fiction is very accessible and very readable, but a lot of people are justifiably put off by the covers of spaceships - though that never put me off.

If your reading habits are anything like mine, then you can remember the exact moment that certain books came into your life. You remember where you were standing and whom you were with. You remember the feel of the book in your hands and the cover, that exact cover, even if the art has changed over the years.

My first band, Kid Wicked, we did half covers and half originals.

I love covers because there's just something I love about replicating someone else's music or taking rare music and introducing it to a wider or a new audience.