Quotes About Race

And mingled with her disbelief and resentment was another feeling, a question. Why hadn't she spoken that day? Why, in the face of Bellew's ignorant hate and aversion, had she concealed her own origin? Why had she allowed him to make his assertions and express his misconceptions undisputed? Why, simply because of Clare Kendry, who had exposed her to such torment, had she failed to take up the defense of the race to which she belonged?

She said: "It's funny about 'passing.' We disapprove of it and at the same time condone it. It excites our contempt and yet we rather admire it. We shy away from it with an odd kind of revulsion, but we protect it.

This, Irene told her, was the year 1927 in the city of New York, and hundreds of white people of Hugh Wentworth's type came to affairs in Harlem, more all the time. So many that Brian had said: "Pretty soon the colored people won't be allowed in at all, or will have to sit in Jim Crowed sections.

these will suffice; who knows but we may be on a slope which leads down to aboriginal savagery. But of this 1 am sure: if we are to escape, we must not yield a foot upon demanding a fair field and an honest race to all ideas.

An Englishman once said that he found it easier to be a member of a club than of the human race because the bylaws were shorter, and he knew all the members personally. That sounds about right.

their black skin. Further affirming such concepts of black inferiority was a steady stream of authoritative statements by LDS leaders and spokesmen brought forth from the 1830s to the early 1970s.3 Such controversial assertions notwithstanding, major aspects of this thesis has since been incorporated, all or in part, by subsequent scholars in their own studies of Mormonism and race.4 ******************

Saints, Slaves, and Blacks is a treasure. It touches on pivotal topics in American history. It is American religious history at its finest. And it dealt with complex issues of faith, religion, church, race, politics, and social standing that still impact most of us. Edward J. Blum San Diego State University

As she stared at them, Waringa noted that their skins were indeed red, like that of pigs or like the skin of a black person who has been scalded with boiling water or who has burned himself with acid creams. Even the hair in their arms and necks stood out stiff and straight like the bristle of an aging hog.

I believe that black has been oppressed by white; female by male; peasant by landlord; and worker by lord of capital. It follows from this that the black female worker and peasant is the most oppressed. She is oppressed on account of her color like all black people in the world; she is oppressed on account of her gender like all women in the world; and she is exploited and oppressed on account of her class like all workers and peasants in the world. Three burdens she has to carry.

En 1863, en Newcastle, el doctor James Hunt había dejado consternada a la audiencia de una reunión de la British Association for the Advancement of Science, al afirmar que los «negros» eran una especie separada de seres humanos, a medio camino entre el mono y el «hombre europeo».

Niall Ferguson

It was a downriver 10-K in the mouth of the Amazon. I won in an hour and 20 minutes. It has to be one of the fastest times ever swum. The race director said there were no piranhas in that part of the Amazon. The water was too dirty.

I guess I'm a black woman with a mouth.

I never thought I'd see the day that I would see white folks as frightened, or more so, than black folks was during the civil rights movement when we was in Mississippi.

Harley Race was eloquent in his moves - everything made sense, like a hand in a glove.

The way I look at it, every day that I'm moving forward is a day I'm not moving backward. Just the fact that I'm in the race at all is a miracle.

Multiculturalism isn't about culture, it's about power.

Multiculturalism is a white people joke.

People don't really want to hear me say this, but a black person who will give a million dollars to the Museum of Modern Art but won't give a million to the Studio Museum in Harlem is simply mistaken.

If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot.

In every interview I've got to explain something about being white but still being into hip hop. It's gone way beyond the musical aspect of the business. And I'm as critical about music as everybody else is.

This is our culture, and I don't care who the musician is, if he avoids black people, then he is scared of something. He doesn't have confidence in himself or else he doesn't believe in what he's doing.

I'd been watching documentaries about early rock where white artists took 'race records' from blues and soul musicians to achieve mass appeal. I wanted to flip that and do an EP covering only white artists.

If you say, 'I don't care if Muhammad Ali was a Muslim or not; he was just great,' what you're really saying is, 'I don't care about Muhammad Ali.' Same with Prince being black.