Quotes About Teamwork

I think in the title race it's crucial to be defensively as solid as possible.

We want to play nice football but there are times in games and situations where you can't do that, and you have to come together and be solid.

Setting a solid screen is something I'm proud of.

At the highest level, if you don't have a solid defensive base, you can't get by. In one match, yes. But over a whole competition? No.

I'm going to have a great career when I'm done. But when people talk about me, I want them to say, 'Yo, not only was Shady McCoy really good, but he was a solid person in the locker room. He helped us out.'

As a painter you're responsible yourself, 100 percent. In film, you have the editor, the director, the other actors. It has the advantage of not being solitary.

When you've written a movie, you then get together with a whole lot of people and make it. In many ways, I think it is far nicer to be with people rather than being completely solitary.

I'd rather have a small part in a big film or good story than do a solo film just for the sake of it.

I definitely have been nervous, but often I get more nervous performing with the corps de ballet than doing a solo. There's so much pressure doing a group number because if you muck it up, you've ruined it for everyone.

Even if it is difficult playing with other people - sometimes it's great, sometimes it isn't, but that is kind of the point of it. It loses its point playing solo.

The band will be going along, and somebody or another will say, 'I want to go off and do a solo career.'... They come back, and other people come in.

It's archaic to think about films as a solo lead or multi-starrer.

I like being in the back. I've done that for so many years, I'm really comfortable doing it. I don't like the solo thing as much as I like playing drums behind someone.

Usually when you put five girls together, especially when they've been solo artists, it doesn't turn out very well.

My solo series, in some ways, have been rarely truly solo.

I wouldn't want to do a solo project.

I just like to work with other people, and I like things that are kind of a little bit bigger than that. I don't know. I just feel like a solo record just kind of gives me the willies a little bit.

When it comes to being in a band or going solo, one is collaborative, and one is not. But generally speaking, when going solo, I am the boss. People can contribute ideas, but I am the boss. When collaborating, you make compromises and look for a common ground.

The experiences you gain by doing something solo - you have such a great work effort there as well, one we all have now - we can all bring it back to the group.

When I write music for a film, I'm not writing a solo album, and I'm not writing a personal piece. I'm part of a team of artists. So I think like a filmmaker more than a composer.

In Girls Aloud, there's always someone there to help out, to jump in on difficult questions and to moan with about how hard we're working. That camaraderie isn't there when you're solo.

I'd say playing with a group or playing solo are equally rewarding, but in a different way.

I've talked to a lot of directors who direct solo like most directors. And they're always like, 'Oh, man I wish I had somebody I could direct with because it's a lot of work.'

I don't believe in a solo role which doesn't have any meaning.