Quotes About Street

I wasn't confident at all as a boy and I'm still not now. I'm one of the shyest people you'll meet. My success at football was down to playing with my brother and his mates in the street.

I worked in retail for a bit and then I busked for two years. As soon as I started, I thought, 'I'll do busking until I'm 50 because this is the best job in the world.'

Luis Suarez's always been a great role model for me. His style of play is sometimes like he's playing with his mates in the street.

Strong and in control - I don't necessarily feel that way. I'm a little bit more scattered in my life. I'm more of a street girl, in a way.

Whenever I go anywhere in the world to do a show I try to paint something in the street as well.

I just had a normal African childhood; we played football a lot, but it was always in the street and always without shoes. Boots were very expensive, and when there are seven in your family, and you say you want to buy a pair, your father wants to kill you.

If you get the chance to be a Bourke Street busker, you actually have to do an audition in front of a council panel. You get a roster every week that has your busking shifts on it - I'm serious: it's an actual job.

I'm from New Orleans, which is all about direct engagement out in the street with all the parades and Mardi Gras Indians and jazz funerals. I'm trying to take that and put it into my generation, a group that doesn't have enough joy and celebration in their lives.

In the mid-1980s, on a spring Sunday morning, a Volvo stationwagon parked in Brunswick Street. A young couple got out. She was trim, blonded, tanned. He was already broadening in the midsection, sockless, short and hairy legs ending in boatshoes. From a restraining chair in the back seat, he unloaded a child, complaining, flailing. They took it into a cafe. They were going to have brunch. The old Brunswick Street was dead, Brunchwick Street born. There was no turning back.

The main thing I love about street photography is that you find the answers you don't see at the fashion shows. You find information for readers so they can visualize themselves.

A vendor selling coconuts on the road is a philosopher. He will have ideas on politics, economics, history, sports. This has saved India. The fact that the common Indian is a thinker is vital.

I've been interested in hip-hop since it first appeared: the fact that it was born not in the music industry but on the street, the idea of using a turntable as an instrument, singing vividly about reality instead of typical love songs, and its links to graffiti and dance.

Scripture is the thing I like to share with people more than anything. My prayer reality is quite kooky. I have this very unique dialogue with the Lord. I utilize my own sort of street vocabulary - nothing slang that would be unacceptable.

In my vocal, I think you can hear something of my earlier times when I'd sing in subway halls for the echo and perform doo-wop on street corners. But I had a lot of influences, too - singers like Sam Cooke, Brook Benton and Roy Hamilton.

Not a day goes by where I'm not reminded of Gollum by some person in the street who asks me to do his voice or wants to talk to me about him. But because 'The Hobbit' has been talked about as a project for many years, I knew that at some point I'd have to reengage with him.

I think about never losing my voice, never giving in, never selling out, always keeping black, always sticking to the street. Staying neighborhood and not Hollywood.

One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.

Mandela drafted the M Plan, a simple, commonsense plan for organization on a street basis so that Congress volunteers would be in daily touch with the people, alert to their needs and able to mobilize them.

The very first picture that I did, the director came up to me on the street - I was 14 at the time - and asked me if I would be in a short film that he was doing called 'Pigen og Skoene,' which means 'The Girl with the Shoes,' which is a funny title but that is how it is.

'Awwsome' was a different type of song for an artist like me, but it's still a true song. I was talking street stuff, but I was feeling awesome.

I've always belonged to the street, and I always will. It's in my DNA.

You keep staying on our block we gonna have to show you what the burner do." "Thank you, it's great meeting you," says Phoenix. "What's a burner?" I whisper. "A gun," Phoenix whispers back. The man loops and rejoins the others. The streets are deserted. It's just the dealers and us. But then, miraculously, a taxi passes. I flag it. The superheroes all have bulletproof vests. I have nothing. I have a cardigan.

Then between Sixth Street and Seventh Street, my mood was vastly improved when I passed a good-looking dog, a dark brown Lab. We locked eyes for a moment—two lovers from a former life reunited—and I felt quite happy.

Michael had gotten sick amid the ruins of a demolished system. The wall dividing many things—including the asylum and the street—had come down while we were growing up. So had the distinction between severe mental illness and what Freud called "the psychopathology of everyday life.