Quotes About Logic

It is said that the human brain divides its functions. The right brain is devoted to sensory impressions, emotions, colors, music. The left brain deals with abstract thought, logic, philosophy, analysis. My definition of a great movie: While you're watching it, it engages your right brain. When it's over, it engages your left brain.

Another of Keaton's strategies was to avoid anticipation. Instead of showing you what was about to happen, he showed you what was happening; the surprise and the response are both unexpected, and funnier. He also gets laughs by the application of perfect logic.

I can at least state that my point of view entails that it is our present lack of understanding of the fundamental laws of physics that prevents us from coming to grips with the concept of 'mind' in physical or logical terms

The viewpoint is that it is simply the logical structure of the algorithm that is significant for the 'mental state' it is supposed to represent, the particular physical embodiment of that algorithm being entirely irrelevant.

G* No individual mathematician ascertains mathematical truth solely by means of an algorithm that he or she knows to be sound.

Nonsemes and mathemes stand next to each other in detached and mutually irrelevant jumbles. They lack the crucial valency that ties sentence to sentence in a truth-directed argument or formula to formula in a valid proof, and they can accumulate forever without getting to the point of saying or revealing what they mean.

Paul Benacerraf, 'What Numbers Could Not Be,' Philosophical Review (1965).

It seems therefore that our best attempts at explaining the beauty of works of abstract art like music and architecture involve linking them by chains of metaphor to human action, life and emotion. If we are to understand the nature of artistic meaning, therefore, we must first understand the logic of figurative language.

Art, as we have known it, stands on the threshold of the transcendental. It points beyond this world of accidental and disconnected things to another realm, in which human life is endowed with an emotional logic that makes suffering noble and love worthwhile. Nobody who is alert to beauty, therefore, is without the concept of redemption – of a final transcendence of mortal disorder into a 'kingdom of ends.

Art, as we have known it, stands on the threshold of the transcendental. It points beyond this world of accidental and disconnected things to another realm, in which human life is endowed with an emotional logic that makes suffering noble and love worthwhile. Nobody who is alert to beauty, therefore, is without the concept of redemption—of a final transcendence of mortal disorder into a 'kingdom of ends'. (p. 156)

The four points of the compass be logic, knowledge, wisdom and the unknown. Some do bow in that final direction. Others advance upon it. To bow before the one is to lose sight of the three. I may submit to the unknown, but never to the unknowable. The man who bows in that final direction is either a saint or a fool. I have no use for either.

When inspiration is silent reason tires quickly.

The four points of the compass be logic, knowledge, wisdom and the unknown....To bow before the one is to lose sight of the three.

The four points of the compass be logic, knowledge, wisdom and the unknown.

It is the difference between the unknown and the unknowable, between science and fantasy - it is a matter of essence. The four points of the compass be logic, knowledge, wisdom and the unknown. Some do bow in that final direction. Others advance upon it. To bow before the one is to lose sight of the three. I may submit to the unknown, but never to the unknowable. The man who bows in that final direction is either a saint or a fool. I have no use for either.

The four points of the compass be logic, knowledge, wisdom and the unknown. Some do bow in that final direction. Others advance upon it. To bow before the one is to lose sight of the three.

Somewhere there must be a gap in the icy blue logic that surrounds me, against which I hurl my mind, my cries, my bitter laughter.

The heart has its reasons which reason knows nothing of.'" "That's lovely," said Roxana. "Shakespeare?" "Pascal.

Hamilton wanted logical proofs of religion, not revelation, and amply annotated his copy of A View of the Evidences of Christianity, by William Paley. "I have examined carefully the evidence of the Christian religion," he told one friend, "and if I was sitting as a juror upon its authenticity, I should rather abruptly give my verdict in its favor."13 To

He always found a simple, easy way to reach the correct answer.

can do something about crime. Not a lot, I admit, but something. Because crime, all crime, is irrational. It is opposed to the logic of life, and so it is evil. And that is why I became a cop.

Science fiction invites the writer to grandly explore alternative worlds and pose questions about meaning and destiny. Inventing plausible new realities is what the genre is all about. One starts from a hypothesis and then builds out the logic, adding detail and incident to give substance to imaginary structures. In that respect, science fiction and theology have much in common.

People don't look for complications. You hear hoofbeats, you look for horses, not zebras.

Hence 8197. He liked 97 because it was the largest two-digit prime number, and he loved 81 because it was absolutely the only number out of all the literally infinite possibilities whose square root was also the sum of its digits. Square root of eighty-one was nine, and eight and one made nine. No other nontrivial number in the cosmos had that kind of sweet symmetry. Perfect.