Quotes About Subject

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A little tired," Diana admitted. "But mostly I'm frustrated. I've got a million questions, and every time I tried to get Colby to answer them last night he kept changing the subject." Brandon grinned. "He was more interested in making sure you and the baby were all right than in answering your questions. Besides, after we got you two down from that cave, you kept drifting off to sleep every few minutes.

If truth and reality can clearly come only from the subject and his consciousness, then illusion, which is the opposite of these, must necessarily come from elsewhere. From the world of the object, from some other thing than the subject. Illusion, like profusion, comes to us from the world.

The historic time of the event, the psychological time of affects, the subjective time of judgement and will, the objective time of reality - these are all simultaneously thrown into question by real time. If there were a subject of history, a subject of knowledge, a subject of power, these have all disappeared in the obliteration by real time of distance, of the pathos of distance, in the integral realization of the world by information.

Thus arises the solution proposed by the so-called Gestalt psychology: behaviour involves a total field embracing subject and objects, and the dynamics of this field constitutes feeling (Lewin), while its structure depends on perception, effector-functions, and intelligence.

Knowledge is not predetermined by heredity; it is not predetermined in the things around us - in knowing things around him the subject always adds to them.

In fact, objects are known only through the subject, while the subject can know himself or her- self only by acting on objects materially and mentally. Indeed, if objects are innumerable and science indefinitely diverse, all knowledge of the subject brings us back to psychology, the science of the subject and the subject's actions.

The riskiness of Art, the reason why it affects us, is not the riskiness of its subject matter, it is the risk of creating a new way of seeing, a new way of thinking.

Choice of subject, like choice of lover, is an intimate decision. Decision, the moment of saying yes, is prompted by something deeper; recognition. I recognise you; I know you again, from a dream or another life, or perhaps even from a chance sighting in a café, years ago.

The indolence I love is not that of a lazy fellow who sits with his arms across in total inaction, and thinks no more than he acts,... ...but that of a child which is incessantly in motion doing nothing, and that of a dotard who wanders from his subject.

The writer, a free man adressing free men, has only one subject - freedom

Those who wants to be loved, must want the freedom of the other, because love emerges from it, if I subject it, it becomes an object, and from an object I can not receive love.

I am on the same plane specific object and free subject but never the two at the same time and always the one haunted by the Other.

I am not listening to him any more, but he must have strayed from his original subject because I suddenly hear: . . . to have, as you, the good fortune of writing a book. I have to say something. Good fortune, I say, dubiously. He mistakes the sense of my answer and rapidly corrects himself: Monsieur, I should have said: 'merit.

Talks on art are almost useless. The work which goes to bring progress in one's own subject is sufficient compensation for the incomprehension of imbeciles.

When I reviewed Hayek's book, The Pure Theory of Capital, it is my sincere conviction that this work contains some of the most penetrating thoughts on the subject that have ever been published.

I presume my work has also always been about reduction without any distraction or after effects, outside emotions, or intimacy or complicity with the subject.

Light and subject is inseparable. But when it is well integrated, it becomes the work of a fine masterpiece.

Clearly the work of a master teacher who has deep knowledge of his subject and enormous empathy for his students and his readers.

If the work of art is good enough, it must not be criticized for its theme. I don't think it can be argued.

One always starts work with the subject, no matter how tenuous it is, and one constructs an artificial structure by which one can trap the reality of the subject-matter that one has started from.

My big subject as a historian is how Americans divide themselves. What are the divisions that structure our political lives. Richard Nixon and Ronald Reagan were perfect foils for that story.

It's not every day that you're the subject of direct personal attack from the Leader of Her Majesty's Opposition.