Quotes About Painting

All art began as sacred art, you know? I mean, all painting began as religious painting. All writing began as religious writing.

In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it's a loss that has done a great deal of damage to modern art. Painting is a return to origins.

There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.

I am a big fan of the Impressionists, and in my school days, I was inspired by Caravaggio, Velazquez and Rembrandt.

No other human being, no woman, no poem or music, book or painting can replace alcohol in its power to give man the illusion of real creation.

There's something of a painting of a woman that represents all women - and by extension, all of humanity - that I just find very exciting. It's a nice distillation, I think, of what it means to be alive.

I always say that improvisation is the utterance of one's spirit, and it dictates your life experience, and that's how you find your concepts and your way for painting your musical picture.

The modern illusion concerning painting (which post-modernism has done nothing to correct) is that the artist is the creator. Rather he is a reciever. What seems like creaton is the act of giving form to what he has recieved.

In his book Flow: The Psychology of Optimal Experience, psychologist Mihaly Csikszentmihalyi refers to flow as the time when you become lost in your actions, whether climbing a mountain peak, painting or playing soccer.

I am dying,' she said. 'I want you to paint the goddess on my hand. When I go to that other land I shall hold up my hand—' she held it up 'and greet her. She has given me a good life.'… 'Aye,' said the old woman. 'Imoy, there she is. Here we paint her looking down to see us, but this is better. Her eyes are open, she will know me.

Al parecer, dibujar un tema percibido requiere principalmente de las funciones visuales perceptivas, no verbales, del hemisferio cerebral derecho, sin intervención del sistema verbal del hemisferio izquierdo. El color y la pintura, por otro lado, requieren esas mismas funciones visuales perceptivas, y además la intervención del hemisferio izquierdo, verbal y secuencial, para obtener los colores mediante mezclas.

The most difficult thing about painting is the self-discipline. When I finish a job, I give myself a few days, but then I have to discipline myself quite fiercely if I want to do some painting that's worthwhile. Otherwise, you're just doodling. It's much easier when you're just told what you have to do.

I rekindled a friendship I hadn't had in a long time, and I was reminded of all the parts of me that had left. I was like, 'Wow, I love to paint and to write and to be outside.'

To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.

Writing has laws of perspective, of light and shade just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.

I started playing piano when I was 6. And I knew that wanted to be involved in that form of expression, whether it was through music, or acting, or dancing, or painting, or writing.

But to be most effective, the faces of the children would need to be painted in a blur, the way all children's faces truly are. For they blur as they run; they blur as they grow and change so fast; and they blur to keep us from loving them too deeply, for their protection, and also for ours.

It would have made a nice painting, were someone to choose something as lowly as that to study. Another story, a story written in oils rather than one painted on porcelain. But to be most effective, the faces of the children would need to be painted in a blur, the way all children's faces truly are. For they blur as they run; they blur as they grow and change so fast; and they blur to keep us from loving them too deeply, for their protection, and also for ours.

mori that time must also catch him at his crime: Painting

Pellerin used to read every available book on aesthetics, in the hope of discovering the true theory of Beauty, for he was convinced that once he had found it he would be able to paint masterpieces.

Each of the arts has its own particular leprosy, its mortal ignominy that eats its face away. Painting has the family group, music the ballad, literature the criticism, and architecture the architect.

Have you read the Rougon-Macquart series?" "From first to last." "That's enough. Mention a painting from time to time, speak of a novel here and there and add: "'Superb! Extraordinary! Delightful technique! Wonderfully powerful!' In that way you can always get along. I know that those two are very blase about everything, but admiration always pleases an artist.

A tour of the Mexico City of Diego Rivera and Frieda Kahlo led by Barbara Kingsolver would be nice. And I certainly wouldn't turn down a tour of Johannes Vermeer's Delft led by Tracey Chevalier.

We've all been there - you find something moving, you commission a painting. I know one wall of my living room is taken up by a mural of the end of Toy Story 3.