Quotes About Creative

I try to make songs visual and tactile to kind of put you into the action.

I'm a Mac user. I think it depends on how you were brought up, and I was introduced to Apple quite early. They're certainly the best for visual stuff and film-directing.

I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in 'The Summer without Men.' I also write essays about visual art.

In some ways, I'm just a visual person.

I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.

Instagram Stories. I am really excited about it. I think Instagram is such a great platform: It's so creative; it's so visual. It's an incredible way to experience the world through images, whether photo or video. I also think that our community is incredible, in the sense that it's such a passionate community connecting around shared interests.

Before I became an actor, I was a producer and a visual effects supervisor. Our industry wasn't making the kind of films I was interested in.

I never think about it much, the visual aspect of it, until we start making the movie. I don't really think about it when we write. When we finish, and I start putting the film together, and we pick the locations, I do think about that a lot.

The way it works in commercials is they come to you with the script, and then you do the visual, you do the storyboards, and you give your vision of it, but it's very much their baby. You just kind of put your polish and sheen on it and your interpretation of it, but it's very much the agency's idea.

I'm a visual person, a conceptual person.

I was hoping to attend the School of Visual Arts and had a portfolio built up.

Visual storytelling is at once immediate and subversive.

Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.

I'm always trying to find something unique or a project that I can do something unique in. When the director has a vision for a piece that I've never heard before, and they can back that up with visuals and they talk a good game, I get really interested in the world that they're trying to create.

Over the years, advertising had become very lazy, very visual. Visuals are important, yes, but as a part of the story.

A part of me wants to rely less and less on comedic visuals and make more substantial standalone music. And get a sitcom on TV where I can let my comedy do the talking there.

I purposely try to make my music cinematic. I try to inspire visuals even though I'm only an instrument of sound.

I like my visuals to feel like movies.

Commingling keenly felt emotion, madcap humor, and retina-bursting visuals, 'Missing Link' is a kaleidoscopic cinematic experience unlike any other.

You have an iconic character in Superman. You want to keep him vital and relevant to the audience as it evolves. So there's a creative dynamic.

The creative tension with spirituality vs. practicality in the world of politics is a vital conversation.

From my years of teaching creative writing, I know that new writers take the setting for granted, as simply a place to set the action, but setting is a vital element in fiction writing and deserves serious treatment.

I feel like the original 'Mad Max' created such a vivid world, that to go back and re-imagine it and kind of replay in that sandbox sounds like fun to me.

I have a vivid, apocalyptic imagination.