Quotes About Creative

I'm not the guy to ask to write a sequel.

To direct a sequel to somebody else's work is not interesting to me.

Cronenberg's a lot of fun, and that a lot of people don't know watching his movies. He doesn't take himself seriously. He's still reinventing himself.

There are artists that actually don't like going into the studio. They get mad when people say they've got a session. I'm just the opposite. I actually enjoy it.

I went to art school first and thought that I'm going to design theater sets. That was my path.

My childhood shaped the person I became. It was artistic, musical and left-wing.

I started making little short films with friends, and then I decided I wanted to get into the school play in high school.

I saw the short stories people were doing on Kindle and really liked the idea of seeing something I'd written on that screen.

In Manhattan, I often do two or three or more shows a night, so I'm always working on new material.

The luxury that I have is I'm not career-minded, I just live from one film to the next. For a time, I was making documentaries, and all my documentaries were winning awards and stuff, and then I lost interest in documentaries.

A lot of Viners do more relatable stuff, but I try to stay away from that. I try to maybe take a relatable situation and Bach it up.

I have a pretty big TV background, and I have clocked so many hours in so many writers' rooms over the years.

When I started playing in bands, we had to be apologetic for what we did. We had to be apologetic because the mainstream was so bad.

B-52's are one of the most unique bands, not just sonically but aesthetically, too. When you look at them, you know it's the B-52's.

This whole concept of basket chaat is so unique, and it is really yummy!

My brother makes beats, and I DJ.

I'm always home, doing nothing, making beats, and watching movies.

My job is to make beats and make something hot.

When I go in to 'Comedy Bang Bang,' I'll go in most of the time with some beats of where we're going with the idea. Everything else is improvised. Nothing is scripted. A lot of times I'll go in there with nothing and it's just conversation with the character.

I like to go out for dinner in Belfast with my friends, I like to work on the house. I like working on music.

People can go very badly awry in this individual quest. But when the quest is fortunate, there comes a lifetime of creative innovative action.

From this point of view the hero is symbolical of that divine creative and redemptive image which is hidden within us all, only waiting to be known and rendered into life.

I've always maintained that film directors understand architecture a hundred times better than architects do.

We were weirdos, Fiona and I. Creative minds like ours were the minds of aliens. And the soul-suckers, the plagiarists, the malicious people like Charlie? They were sapping us. It was our mission to get away from them.