Quotes About Cinematic

I had worked in TV prior to working on 'Game of Thrones' - 'Game of Thrones' is far more cinematic than any other television show that I had done before, and so I feel that the worlds of TV and film are most definitely merging as one.

I always wanted to direct stories that are big scale and fantastical worlds.

The cinematic universe will not worry about 'Legion.' They will not worry about these TV worlds at all.

I can watch 'Mission: Impossible' all day every day. Tom Cruise as Ethan Hunt is so hot.

The actors are the greatest executors of tone in a film. They're the most important cinematic component.

On stage you need to emphasize every emotion. But on screen you need to tone everything down and make it believable.

I think 'Lost' didn't invent the flashback, obviously. It's been a cinematic tool. It's been around almost as long as cinema has.

Well I think effects are tools.

I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometimes do five pages of scripted dialogue.

I helped develop Disney's) special effects department at that time, which helped very much when we worked on "20000 Leagues under the Sea"

You know, I think everything I do cinematically for the rest of my life will probably have some direct route back to Jonathan. But I love him to death. He's like my best friend and my big brother.

The first 40-50 pages of 'Veekai' is what made it film-friendly. I realised the subject would be relevant even after 50 years.

I still don't feel I know Hitchcock at all. I find that the more one looks, the more elusive he becomes. But my admiration for Hitchcock the filmmaker remains undiminished. He is a giant of the cinema and the darkness in him informs his cinematic language. You can't separate one from the other.

When writing screenplays, it's a matter of remembering to leave off the page anything and everything that doesn't appear on the screen.

'Sholay' can and should never be remade. It is a classic, just like 'Mughal-e-Azam.' The magic which the movie created at that time cannot be repeated.

When working on a period, it is the finer details that evoke imagery that helps in cinematic adaptations.

I think everyone who goes to see a 'Bond' movie expects to be impressed by the look and the locations chosen. Certainly I was when I grew up watching them, and I don't think that's changed in the last 50 years.

I'm always really impressed when a movie can function like a novel does - that's so hard to do.

The thing people don't get about Indian films is that the songs are the story.

There's a way in which filmmaking is a director's medium and television is a writer's medium, so even as TV gets more cinematic, it's still guided by the writer.

I think the way Win Butler writes, I really identify with it. He writes very emotionally and very cinematically, and I just connect with his sensibility.

'Star Wars' was, I mean, it was the first time I remember seeing three movies that all kind of went together. It was just an amazing final understanding of what a trilogy was.

I love writing dialogue, and I think a lot of my writing is visual and very cinematic.

The franchise film era is, in many ways, a return to the studio system. Only now the major entertainment companies don't own the most important talent—they own the most important cinematic brands.