Quotes About Production

We need to work out who is paying for film; in the U.K., it is increasingly difficult to get production funds - and pre-sales demand more and more shot/cut material.

History is just this froth of artifact production that has appeared in the last ten to fifteen thousand years. It spread across the planet very quickly. But that mind in man just goes back and back into the darkness.

In a way it costs thousands dollars before you could actually go out to put the show on because you'll need equipments, all the lights you know, and that's more just going out and playing you know.

In December 2011, I will be opening up my production house, Sharmeen Obaid Films, and aspire to change the way Pakistanis approach nonfiction storytelling. There are thousands of stories to be found here.

If you want to, if you are a crazy person, you could go from idea to the stands in about four months. It does not cost hundreds of thousands of dollars to make a comic the way it does to make a television show or a movie.

Labels need to work with artists to help them achieve their best work, not to jam records out that are half-baked or three-quarters baked.

This is the paradox of thrift: belt-tightening causes people to lose their jobs, because other people are not buying what they produce, so their debt burden rises rather than falls.

Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters.

I was not exposed to a lot of culture. The shows we saw in high school, like 'Phantom of the Opera' and 'Miss Saigon,' were thrilling. But my love affair with theater started with seeing a production of 'Little Shop of Horrors' that my sister was in.

I thrive on production. It feels very much like a natural environment for me.

To keep farmers on the farm we must maintain a strong farm safety net, but we will also have to build a thriving companion economy to compliment production agriculture in rural America.

Throughout my career, when I was finished with the drawing for one film I would go up to the story department and help develop sequences. Sometimes these were for scenes that I would animate later on.

'Flying Down to Rio' established RKO as a leader in musical film production throughout the 1930s. The film helped to rescue the studio from its financial straits and it gave a real boost to my movie career.

Phillip Harrison was the production designer, though, I think he's uncredited. He's done most of my films like Blue Thunder. Lots and lots over the years.

Increased fragmentation of production across international borders - a natural outgrowth of the gains from specialization - meant more trade for any given value of final production, thus adding to the major expansion in gross trade flows in the 1990s and 2000s.

Peasants, who after the liberation of the country became the masters of their lands and their country under the benevolence of Comrade Kim Il Sung, launched the campaigns for increasing agricultural production and donating cereals out of patriotism, and thus faithfully supported the Party's line of nation building.

When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.

Dassault could not progress in the negotiations with HAL because if the aircraft were to be produced in India, a guarantee for the product to be produced was to be given. It is a big ticket item, and the IAF would want the guarantee for the jets. HAL was in no position to give the guarantee.

There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.

I did attend a convention with the production company behind 'The Woman' and 'Jug Face,' and I loved it and thought, 'I have to come back, as they are so much fun!' But those tickets are really expensive, and you're buying merchandise, and you want autographed pictures with people, so it's kind of like Disney World.

Now, I love a good factory tour. Drop me into a bottling plant, an automotive assembly line, or a jellybean factory, and I'm happy as a clam at high tide.

Coal is tied to steel jobs, trucking jobs, and manufacturing jobs.

Television moves fast, and you don't have the indulgences you have when you're shooting movies of so many takes because there are tight deadlines.

Despite recent speculation in the media, and after difficult but sincere consideration, I have decided not to direct 'Catching Fire.' As a writer and a director, I simply don't have the time I need to write and prep the movie I would have wanted to make, because of the fixed and tight production schedule.