Quotes About Production

We have to find alternative ways of producing our raw materials without asking nature to do it for us.

I could not do Satyajit Ray's 'Kanchenjunga' because I had already committed the daters he wanted to shoot on to other producers.

The conditions which now exist in Germany make it impossible for industrial production to reach the levels which the occupying powers agreed were essential for a minimum German peacetime economy.

I had started off, before I ever got an acting job, working at Robert De Niro's Tribeca Productions as a reader. I was always interested in that side of the camera.

My criteria has always been the script, director and character. But I also attach importance to the production house. After all, the banner has to go all out to present the film in a grand manner. I am ready to work with any house that is capable of marketing and packaging a film well.

My very first real job in the industry was as a production assistant on a show called 'Infinity Factory' in 1976.

You dread that there will be real problems during filming.

When you call a game, it's almost like you're doing a three-hour movie and the production of it all, living in the moment in real time, the replays, all the intricacies that go into putting a game in a broadcast. It's not just 100 percent football.

You come out of drama school and do theatre and are interested in creative endeavour, then you drift into TV and movies and realise that artistic endeavour needs to balance with financial success. There's no point spending millions on a movie that doesn't make any money, because the people producing it won't make another one.

I never realised 'The Return' would take so long to make - it was a very tough 'political experience,' and the post production in L.A. seemed to go on forever.

I realised how rarely women are involved in all aspects of the music making, how rarely I've worked with female engineers. That became something that I started looking at as well. How many women can I bring into the project across the board.

I always wanted to make cinema which will entertain the masses, cinema that could be called escapist but is mounted on a realistic scale with high production values.

When you're in a good play and a good production, you find that you're in something that has a life beyond you. You think, 'Oh my goodness, this play's alive.'

With my own cartoon, it was just me being goofy by myself, but when it comes to an animated film, you're working with 45 animators and assistant animators. It's a whole different ballgame.

When I know it's like a bass song, I gotta go with my SP-1200.

Cedric Gibbons was the grand cardinal of the art department.

Gravity Falls' is a very hard show to produce.

I am a great believer that you should record more than you need and then use the absolute best.

We are always fortunate to have our own sound folks with us that do a great job in ensuring that everybody can hear and the sound is good.

The thing about the four-camera shows is that it's kind of a great combo of theater and film. You have an audience, but you have a camera to capture things, so that's a great thing, too.

There are a lot of great things about food, but it's something that's an eternal struggle in our contemporary society, where and how food is made, where it's coming from, how much to consume. There are so many layers to it.

I made 'Going Greek', which was a very sort of crappy fraternity comedy that I did back in 2000.

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.

There are always challenges to green screen.