Quotes About Visual

If you look at how beautiful the eye can be, it has its own inside patterns and colors.

I have always felt that effect covers are very good covers. They bring you into the story if you pay attention to them.

I have this peculiar ability to be able to anticipate mouth movements on screen and fill them with words or sound.

A picture story just doesn't run like a film. It doesn't have 24 frames per second. It doesn't deal with this illusion of movement.

My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.

A lot of magic is designed to appeal to people visually, but what I'm trying to affect is their minds, their moods, their perceptions.

I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.

What I do is create images, period.

Painting is silent poetry.

What are you reading?" "Visual Basics." The answer did not fit the picture in his mind. But it should not be surprising, he thought. He, too, had been taking an evening class on Windows applications.

Cameras can only record what they see.

I look at the film as an opportunity to see some bountifully creative minds do something that I could not do - tell the story with images. I can't wait to see what they do.

I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.

I think the audience doesn't know a movie's lit, but they feel it. Because you've walked in a forest many times, or in a park, so you know how it looks. When you start lighting, subconsciously you know there is something that is absolutely wrong.

One time, when I was really young, my dad and brother were watching 'Team America,' the Trey Parker and Matt Stone movie. I walked in and they didn't know I was there, but I got really freaked out by the marionettes - just the look of them, their mouths, those grins. That cemented in my brain.

Photography obviously lends itself so well towards fashion. It's capturing that moment and that inspiration, and as a designer you are constantly walking through the world assimilating those visual references you have and so being able to solidify that into a photograph and keep it on your mood board is essential to creating a collection.

My mum always liked poetry, and she had pictures on the wall, so there was this visual stuff around.

A lot of the future of search is going to be about pictures instead of keywords. Computer vision technology is going to be a big deal.

There'll always be movies that are meant for the big screen, and they should be seen that way.

I lived and grew up in the black and white period of photojournalism.

Acting on a blue screen is awful.

Type is your brand.

So successful has been the camera's role in beautifying the world that photographs, rather than the world, have become the standard of the beautiful.

I feel like I might be a designer or stylist - or a director because I have always been super interested in cameras and editing.