Quotes About Visual

There is this looking at the world as shapes and patterns and colors that have meaning, and you can't deny the superficial because the superficial is what meets the eye.

It's not being superficial, but looks do attract me from across the gym.

The books leapt and danced like roasted birds, their wings ablaze with red and yellow feathers.

All this happened in much less time than it takes to tell, since I am trying to interpret for you into slow speech the instantaneous effect of visual impressions.

The written word, obviously, is very inward, and when we're reading, we're thinking. It's a sort of spiritual, meditative activity. When we're looking at visual objects, I think our eyes are obviously directed outward, so there's not as much reflective time. And it's the reflectiveness and the spiritual inwardness about reading that appeals to me.

The eye traffics in feelings, not in thoughts.

Animation offers a medium of story telling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world. -

Of all of our inventions for mass communication, pictures still speak the most universally understood language.

Photographs have the kind of authority over imagination to-day, which the printed word had yesterday, and the spoken word before that. They seem utterly real. They come, we imagine, directly to us without human meddling, and they are the most effortless food for the mind conceivable. Any description in words, or even any inert picture exists in the mind. But on the screen the whole process of observing, describing, reporting, and then imagining, has been accomplished for you.

The eyes are hammers.

She believed, as others did, that a camera was good for more than recording the world. A photograph wasn't a response to something; it was something.

What you learned about the Müller-Lyer illusion did not change the way you see the lines, but it changed your behavior. You now know that you cannot trust your impression of the length of lines that have fins appended to them, and you also know that in the standard Müller-Lyer display you cannot trust what you see. When asked about the length of the lines, you will report your informed belief, not the illusion that you continue to see.

La faute à la télé ? Le vingtième siècle trop « visuel » ? Le dix-neuvième trop descriptif ? Et pourquoi pas le dix-huitième trop rationnel, le dix-septième trop classique, le seizième trop renaissance, Pouchkine trop russe et Sophocle trop mort ?

I mean I've seen 3D films so far and I think it's a long way to go before they replace actors. It's a funny thing with 3D, I haven't quite got it yet. Yet.

Visual information trumps the dialogue every time.

The eyebrows are the punctuation marks of the face.

the picture, how many people are chasing the girl? 2. What is the girl carrying? 3. Does the girl have both her feet on the ground? 4. What are the man and woman holding? 5. Is the girl wearing socks? 6. Is the girl wearing polka-dotted shorts?

Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going.

I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention.

Online magazines such as Salon, Slate, and Suck, had already made an elementary discovery: a reader staring into the equivalent of a thirty-watt bulb didn't want to confront thousands of words. The medium required a little extra white space, a sort of oasis for the optic nerve.

Judas paused at the edge of the Venetian ballroom, letting the colors swirl in front of him. Crimson reds, deepest golds, indigos that matched the evening sea, blacks that ate the light, and the pearly radiance of bare shoulders. Nowhere did the women dress as brightly, and display

Even now I remember those pictures, like pictures in a storybook one loved as a child. Radiant meadows, mountains vaporous in the trembling distance; leaves ankle-deep on a gusty autumn road; bonfires and fogs in the valleys; cellos, dark windowpanes, snow.

proportion which more or less exactly failed to please the eye.

The word photography itself means "drawing with light" in Greek.