Quotes About Visual

I will say that when it comes to the horror genre, for me, the scariest thing is when something is actually in the frame.

I couldn't tell if any frames were removed. Seen as a whole it shows that I have seen. Seeing you have 18 frames a second you can take out one or two and I couldn't tell.

The subtlety of your visual attention. You could alert me or change the subject with a contraction of your iris.

What else was filmmmaking about if not a series of perfect and potent images strung together like the words of a poem?

Television is chewing gum for the eyes.

Sight does not master the pictures, it is the pictures which master one's sight. They flood one's consciousness. The cinema involves putting the eye into uniform, where before it was naked.

Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.

Wind turbines are imposing structures and definitely not the kind of thing one wants to see from a golf course.

It's such a great city, visually. You can't get that kind of look in Canada that you can get in Boston: the old-brick historical buildings, the winding streets, the old but funky neighborhoods like Southie and Somerville. You can't get that elsewhere. It's a very unique place in that way.

A company's logo can be a visual ambassador, one that goes on everything from business cards to delivery trucks. When used effectively, it can be the window into the soul of a brand.

Store windows are like landing pages on the website.

I've had three Eurovision winners: two with Johnny Logan and one with Linda Martin and even Jedward did great, because 'Lipstick' was a great song and they had a great show. It was a great visual.

How you carry a story in pictures is different than how you do it in text.

Pictures have a lot more power than text. Text is just a bunch of little symbols. You have to actually read it and imagine it, and even that can be censored. With pictures, it's a lot more immediate.

If you see everything through the lens, you are constantly composing pictures. I think in pictures; I don't think in text.

A film is different than a script. The text of the script is what it is.

More than conventional picture books, the notebook format allows me to leap from words to images, and this free-flowing back-and-forth inspires my best work. It reflects the way I think - sometimes visually, sometimes verbally - with the pictures not there just to illustrate the text but to replace it, to tell their own story.

Graphic public service announcements about texting and driving or drinking and driving serve a purpose: to see the imagery in your mind so your behavior will change.

'Just looking at pictures' used to be considered cheating. No longer. The graphic novel is booming. Comics, heavily illustrated texts, books with no words are now accepted as reading.

I began to see that the short texts I was writing were poster material.

Texture is something we forget - it makes outfits look very expensive. You can do a monochromatic outfit, if you're afraid of things that are more colorful and printed, and still create interest.

I do all my coloring on PhotoShop - it's good and bad: It helped refine my color, but I do miss the texture and organic quality of the traditional.

I think there's too much saturated color in comics, thanks to digital color techniques.

The first thing you see when you walk into a store is color.