Quotes About Visual

Little plots and stories, acted out and screened, can't possibly be called cinema. They have nothing whatever to do with cinema. A cinematographic work is above all a work which would not be possible in any other art form. In other words. it can be created by means of cinema, and cinema alone

The image in cinema is based on the ability to present as an observation one's own perception of an object

For the cinema image is essentially the observation of a phenomenon passing through time.

I never read. I just look at pictures.

A good general rule is that people are more influenced by visual persuasion, emotion, repetition, and simplicity than they are by details and facts... On all the important stuff, we are emotional creatures who make decisions first and rationalize them after the fact.

If you want to make a good first impression, don't jokingly complain about the traffic on the way over. Try to work into the initial conversation some positive thoughts and images. Any positivity works. If your positivity has some visual imagery, that is even better. As the old saying goes, people won't always remember what you said, but they almost always remember how you made them feel.

Trump could have simply said he wanted better immigration control, but that would not have been good visual persuasion. Concepts without images are weak sauce. So instead, Trump sold us a mental image of a "big, beautiful wall." He said "wall" so many times that we all started to picture it. Before long, we started seeing artists' renderings of potential walls. Even the opposition media started running videos of existing walls and walls in other countries.

that people are more influenced by visual persuasion, emotion, repetition, and simplicity than they are by details and facts.

A good general rule is that people are more influenced by visual persuasion, emotion, repetition, and simplicity than they are by details and facts.

In no other form of society in history has there been such a concentration of images, such a density of visual messages.

Thus painting itself had to be able to demonstrate the desirability of what money could buy. And the visual desirability of what can be bought lies in its tangibility, in how it will reward the touch, the hand, of the owner.

It is a mistake to think of publicity supplanting the visual art of post-Renaissance Europe; it is the last moribund form of that art.

Every image embodies a way of seeing. Even a photograph. For photographs are not, as is often assumed, a mechanical record. Every time we look at a photograph, we are aware, however slightly, of the photographer selecting that sight from an infinity of other possible sights. This is true even in the most casual family snapshot. The photographer's way of seeing is reflected in his choice of subject.

resimde yap?sal bütünlük, imgenin güçlü olmas?n? saÄŸlar.

Günümüzde her yanda bol miktarda imge var. Daha önce hiç bu kadar çok ÅŸey incelenip seyredilmemiÅŸti. Her an, gezegenin ya da ay?n öte yüzünde nesnelerin nas?l göründüÄŸüne bir göz atabiliyoruz. Görüntüler ÅŸimÅŸek h?z?yla kaydedilip aktar?l?yor." sayfa 26

Seeing comes before words. A child looks and recognises before it can speak

Images adorn our inner life and carry great power there.

If you could say it in words, there would be no reason to paint.

If I could say it in words, there would be no reason to paint

Design cannot rescue failed content.

PowerPoint is like being trapped in the style of early Egyptian flatland cartoons rather than using the more effective tools of Renaissance visual representation.

Clutter and confusion are failures of design, not attributes of information.

Comparisons must be enforced within the scope of the eyespan, a fundamental point occasionally forgotten in practice.

We shouldn't abbreviate the truth but rather get a new method of presentation.