Quotes About Visual

I only enjoy what I can see, because I don't feel anything. For example, your new wallpaper. I like it and it can stay, it's quiet and it keeps quiet at least. Luckily I don't have to feel it, just see it.

As usual, the girls were more interesting to look at.

For J.-L.G., color does not exist simply to show us that a girl has blue eyes or that a certain gentleman is a member of the Legion of Honor. By necessity, a film by Godard that offers the possibility of color is going to show us something that could not be shown in black and white, a kind of voice that cannot resound ehen colors are mute.

The most beautiful colors, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait.

Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it's own if it doesn't, the thing collapses.

Comics are a gateway drug to literacy.

Color does not add a pleasant quality to design - it reinforces it.

Between two products equal in price, function and quality, the better looking will outsell the other.

I have to say, 'Gravity' is better in 3-D, even though in 2-D the quality of the picture is better. But the 3-D is better.

The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately.

The nature of television - it's quicker than both a play and a movie.

I learned quickly at Columbia that the only eye that mattered was the one on the camera.

I'm not a massive fan of 3D. I've seen some good 3D, and I've seen quite a lot of bad 3D. I think if a film is created for the shock effect of 3D, then it's a certain type of film that I'm not massively bothered about.

Visually, I'm always considering shots and composition quite a lot, and I love putting art into films, and I do a lot of the art.

Raft told me how to walk with him in a scene: We'd start off in a long shot normal, and about the time we got together in a close-up, I'd be bending my knees so I'd be shorter.

I read comic books when I was a kid. Now I have a passion for art and galleries that I think came from that. I didn't read a book without pictures until I was 21.

I'm very near-sighted and can hardly see without my glasses.

I think cinema is so visually driven now, and people are so taken in by the glamour, gloss and all things good looking that we don't appreciate the craft as much as we used to in the bygone era.

A good film script should be able to do completely without dialogue.

Unlike Rivera and the other muralists, who painted a monolithic hegemonic national narrative, Kahlo visually articulated a multidimensional Mexican past.

Kahlo's paintings offer a visual vocabulary with which trauma and pain can be transmitted or communicated with dignity and compassion.

You keep on balancing and balancing and balancing until the picture wins, because then the subject's turned into the picture.

I really, really liked shooting and doing the scene with Emilia Clarke and Peter Dinklage at the end of 'Winds of Winter,' when she gives him the Hand of the Queen. Because we shot it very simply. We felt like we had managed to do something that was visual but really was a very intimate scene between two people.