Quotes About Visual

What's happened with computer technology is perfectly timed for someone with my set of skills. I tell stories with pictures. What I love about CGI is that if I can think it, it can be put on the screen.

The visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination; thinking about its attributes becomes an adjunct to that, if it is unwilling to betray its object; while the most austere films necessarily draw their energy from the attempt to repress their own excess (rather than from the more thankless effort to discipline the viewer).

Du kan tenke dig seks bitte små mygg marsjerende over et forferdelig stort laken.

An artist is only as good as their morgue. When I say morgue, I'm talking about the artist's visual library of references.

You're only as good as your morgue... An artist is only as good as their morgue. When I say morgue, I'm talking about the artist's visual library of references.

The visual information of art history is going to students seamlessly, without the enormous trouble those of us who are older had when we studied art history many years ago.

I like light green, sometimes red is fun to look at, not a fan of yellow, unless it's in a rainbow or on a coffee mug or on a happy face.

When I think of flavours, I think colour, so lemon should be yellow and orange is orange.

Film has far more color shades. It's called 'bit depth' in digital terms. And most bit depth in digital is about twelve, but film bit depth can be twenty to thirty. And so you just have more shades of yellow and red and oranges and everything.

Purple and yellow are my colors.

The only problem I have with American money is that it's all kind of the same color, so I'm always having to look. Whereas with Australian money, you have purple, blue, yellow... We keep it nice and simple.

I guess if I was made responsible for every single line of dialogue in a game and every single piece of textual visual detail, every sign or piece of graffiti, then yes, I think that would be comparable to the time and effort required to write a very long novel, indeed.

'Ouija' has a steady directorial hand, some attractive young actors who taking the silliness seriously, and few admirable genre elements. It renounces the faux-found-footage ShakyCam style, instead employing a traditionally smooth visual style.

I was a visual artist primarily and a writer, even from a very young age.

I have sketched since a young age, so there's always been an artistic side, a visual side to my personality.

Some scenes cry out for a certain kind of treatment. The kind we're conditioned by years of film-watching to expect.

Anything that is soothing and nice to my eyes, I pick that up, I don't follow a particular trend. I follow being effortless and not make a statement.

His ruby red rimmed moist eyes were two glasses of cranberry. He wore a cashmere sweater the color of Earl Grey tea...

A cinematographer is a visual psychiatrist, moving an audience... making them think the way you want them to think, painting pictures in the dark.

If you want something to look interesting, don't light all of it.

Gleaming skin; a plump elongated shape: the eggplant is a vegetable you'd want to caress with your eyes and fingers, even if you didn't know its luscious flavor.

We made the buttons on the screen look so good you'll want to lick them.

I'm interested in producing truncated shapes in proportion to the frame and composition, shapes that are preferably luminous. I'm not interested in the full-figure. I want to abstract forms.

The red sun was pasted in the sky like a wafer.