Quotes About Visual

I don't really mess with Instagram much, but I get why people love it. Because to me, it's better to tell a story through a picture than 140 characters.

I fell in love with commerce and the opportunities that come with compelling visual storytelling.

The reason I love comics more than anything else is that the longest story will be just a few pages. With a novel, it takes so many pages to get to one thing happening.

I like visual arts, and what I love doing is participating in the making of it.

I love drawing what the character is feeling, in my comics, with no dialogue.

I don't know the American photographers as well, but I admit I love Ansel Adams. His landscapes are so crisp.

I listen to music cinematically. I think about music and how it would make me feel when it's put to an image, a moving image, and I love it.

A film is a great deal about what you see, and the silhouette of a character tells you a lot. I'd love to go into film costume.

I'm super interested in visual, and I love that being in a band can be as much about making an image as it is about making a sound.

When you're at a loss for words. Draw a picture.

Colors don't come in shapes.They come in depth.

Big dishes and big spoons are big trouble. As the size of our dishes increases, so does the amount we scoop onto them. They cause us to serve ourselves more because they make the food look so small.

An aesthete does not necessarily dress well or collect art works: an aesthete is one who lives by the eye.

the pattern-recognition machinery in our brains is so efficient in extracting a face from a clutter of other detail that we sometimes see faces where there are none. We assemble disconnected patches of light and dark and unconsciously try to see a face. The Man in the Moon is one result. Michelangelo Antonioni's film Blowup describes another. There are many other examples.

One of the striking aspects of the lines is the way they make us see a tree, with its pattern of twigs, leaves and branches, as a visual image of the invisible roots of language.

Actors should be judged on how they look on screen, and not on the basis of the age of their characters.

I remember walking into the editing room when I was a junior in college, and I watched the guy make cuts, and I didn't know what the hell was going on. He was just putting these shots together and telling the story, and it was amazing.

When you put on the glasses in a 3-D movie they just kind of sit there and you forget about them.

To see a hacker actually hacking is not the most interesting thing visually, and it's pretty boring as an actor: a hacker taps on her keyboard. There's really not much more than that.

You've gotta understand camera angles, camera movement - a kick that may not be very powerful may look very powerful from a certain angle.

There are a lot of directors who are knowledgeable about images, and others who aren't.

I enjoyed decorating because I'd never gotten to do it before and I see things in structures and patterns, and decorating is a way of arranging things to achieve maximum visual happiness. If

Visual frames, it gradually dawned on me, matter just as much as verbal

a result, we are born pattern-spotters, seeing faces in the clouds, ghosts in the shadows, and mythical beasts in the stars. And we learn best when there are pictures to look at.