Quotes About Experience

Growing up I was always small. I think growing up through the academy and being the small one, you get that technical side of the game and you are learning from bigger players.

I was the singing voice of a cartoon character. I did dog food commercials. I did a lot of commercials, actually, and helped pay my rent and my classes. Then I'd get one good line or two good scenes. I was building my career and building my own experience and learning technically what it was like to be on a set and all of those things.

Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.

Technically, maybe I learned most of all from George Stevens, and among his movies I learned the most from 'A Place in the Sun.' It's a lesson in moviemaking.

I learned a lot from more experienced mountaineers, such as Peter Habeler, but by the time I was about 21 I reckoned I had learned all that I needed to make me technically self-sufficient anywhere.

I got last-minute rush seats to Baz Luhrmann's 'Boheme,' and my favorite singer, Ekaterina Solovyeva, was playing Mimi that day. My face got burned off when she sang the aria 'Donde Lieta Usci.' The woman was technically sobbing and singing opera at the same time. I don't know how you do that.

I have jumped out of airplanes but I was not technically a paratrooper. I was an infantryman and a night fighter, anti-terrorist.

IE6 was a bad experience for consumers, but it was a terrible for developers. Not only it was technically bad, but it was closed, and you couldn't do much with it.

Technically, my first paying job was I was an extra in my dad's movie 'Dan in Real Life.'

Technically, you can learn everything on the set as an assistant director, and rather quickly.

Bundu is a very good fighter. He's experienced and technically sound, but he can be awkward.

What's 'Atlanta' about? Technically, it's about a couple guys who are friends, but to me, 'Atlanta' is about black lives. I'm getting a real look at what black life means in Atlanta.

I was never in any band, technically.

I guess, technically, I went to a New York City high school, but I wouldn't call myself a New York City kid. But I've played against city kids all my life. So that kind of instills something in you.

Technically, I direct, I'm a writer, and I do all these things, but I never went to school for them. It's just something you pick up; it's like its own art, basically.

I have had relationships that have not worked out in the past, my marriage didn't work out technically in the past but I look back at all my relationships with great love and affection.

I used to work for Symantec AV: I worked as their in-house IT technician, and then I worked as specialized AV support, and then I worked for Hartford Life IT, in Dublin and London. I worked in IT from '99 through to 2007.

I did get to work as a technician with Bapu in 'Radha Gopalam.'

It depends who your technician is as to how much fun the recording is.

Over the years, I've learnt from co-actors, directors, technicians, and even from junior artists.

Each kid has a different level of expertise and some of them are very raw and inexperienced and some are incredibly mature and experienced. So you just have to go with what they are rather than have some abstract technique that you're going to try to apply to them.

I had no real respect for good technique because I didn't know what it was. I was self-taught, so that stuff didn't matter to me.

Fortunately, I got to play some India 'A' games, and some games where the pressure was a little less, so that I can focus on my skill and my technique.

The kind of freshness that newcomers have is something that you can learn from. As you grow, a certain staleness creeps in your technique. But when you see someone with no experience at all doing a scene, you can learn from that.