Quotes About Experience

You lose speed, that's normal, but the technique you never lose.

I don't feel that I have any great grasp of technique that I should pass along to people.

Two, I actually learned a lot of things that served me very well when it came to repeating performances on stage, because it is a craft and you do need a technique for it.

And, you know, my dad would show me some things sometimes, but the best things that I got to do were to actually see really good players play up close. That gives you an idea of fingering and technique and what not.

These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what 'technique' means. But I do know what experience is.

I had no real experience studying acting; I came to it having done other things for a living for many, many years, and I have this gigantic respect for experience and technique.

Meisner technique was different than anything I'd ever experienced. It's a really great way to be accountable to your craft and to yourself, but also it takes that kind of focus and dedication to learn anything.

I've worked with some teachers and coaches over the years, but I didn't really study theater or technique or voice or any of that stuff extensively.

I didn't learn anything about acting until I joined the Group Theatre. They taught me an entirely new approach, an entirely new technique.

We work so hard as young artists to further our careers or improve our technique, sometimes it gets so easy to not actually go and see things like a play or a film. I think the best way to get better is to see other actors do what they do well.

It wasn't until I got out in the world and started worked professionally when I realized that the people I admired were the ones who had taken the little snippets of what they learned that worked for them - and strung them together in their own technique.

When I first got into the league, I just used to run. Just run the route. Really no technique to it. I really couldn't separate myself from the defender.

Laced with a unique narrative technique, racy screenplay and top notch production values, 'Lie' is a new cinematic experience.

I am in a closed state where I'm just reacting and moving based on my instincts, knowledge, technique and years of experience.

You can't compare my background to the Gracies', not only in technique, but in terms of business and marketing.

Maybe bring in sponge balls to learn the technique and gain that experience of actually challenging for a header.

A lot of people ask me if I have a special skill by any chance, but I never thought about the angle or technique when filming a kiss scene.

I've been a cook all my life, but I am still learning to be a good chef. I'm always learning new techniques and improving beyond my own knowledge because there is always something new to learn and new horizons to discover.

I believe that no one can teach you how to act, but schools do give you an environment to make mistakes, to learn techniques and to learn professionalism.

I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.

I tried to reject everything I knew as a TV writer when I decided to be a novelist, and the books didn't work. Finally I realized I should go back to all the techniques I'd learned.

It's about somebody initially knowing more about it than you do but eventually you learn a lot about it yourself and practise the skills and techniques that you've been taught.

I'm not a method actor. The techniques that I follow have been created and practiced in my own journey, ones that I have researched, formed and invented.

My approach goes way beyond simply ingredients and techniques. Every dish has to have a story.